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About Andy

 

I am an avid adventurer, conservationist, teacher, and outdoor photographer whose photography celebrates the African landscape and its rich wildlife, people, and culture. My photographic safaris allow my travelers to not only enhance their understanding of photography, lighting, and wildlife, but to develop a life-long admiration for Africa ‘s beauty and culture.

Banana Republic recently used my photographs as the cornerstone of their Urban Safari campaign, and my images were seen in all 750 stores around the globe, as well as in their billboards, catalogs and annual report. I was also the winner of the BBC Wildlife Photographer of the Year in the ‘Wild Places’ category in 2008 and a highly commended in the ‘Creative Visions of Nature’ category in 2007.

I launched Gura Gear in 2008, in an attempt to deliver lightweight camera bags to the market. I was looking for a lightweight camera bag to hold all of my photographic gear, and there was nothing desirable on the market that suited my needs. After spending 2 years with many prototypes, the Gura Gear Kiboko bag was born. More products are now available on the Gura Gear web site.

 

 

 

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Entries in africa (70)

Monday
Aug022010

Day 8 - Savuti Camp, Linyanti Concession, Botswana

Up at 5:30 again, a light breakfast out on the deck at 6, and we were off by 6:20. It is amazing how different people behave after a cup of coffee, and I am speaking of me as well as the other people in the group. Smiles happen only after that first sip of caffeine.

We pointed the vehicles towards Dish Pan and Rock Pan, and immediately started tracking a pack of wild dogs. Woohoo! My vehicle was a little farther away, and I could hear the other 2 vehicles and their excitement over the airwaves. “matala mathlarelaa matala mathlarelaa”, and I knew they were on to something good.

There are three dog packs near Savuti, and this was the smallest of the three with only 4 adults. When we had our sighting I noticed that there were only 3 of the 4: 2 males and a female. We were lucky in that we saw them right on the Savuti channel, which is much preferred over the thick mopane woodland. They were out in the open, and after a few minutes they started out on their morning hunt. We were able to stick with them, as they never left the water’s edge. What a treat, as wild dogs can be some of the most challenging subjects to photograph.

We gave them room to work, and eventually we saw some impala about 200 meters away. Double cha-ching. The lead dog quickly went into a crouched position, and he had the advantage as he was downwind and the impala had not noticed the pack. After a few moments a chase ensued, and our three vehicles burst into action from behind. The pack split up and we followed one of the males back towards the water. We had hoped that one of the impala went that direction, as we would have the dogs back in the open and would hopefully see a kill at the same time. Well, the strategy paid off and we watched the 2 males chase a lone impala across the channel and onto a swampy island in the middle of the water. The kill happened so fast that nobody was able to see it as we were moving the vehicle just to keep up. So many great things to photograph: wild dogs crossing deep water, a kill, a tawny eagle going in after they were finished, the female dog trying to get to the island, and then finally the dogs’ coming back across the water towards us.

It has been a while since I have filled up a memory card in less than an hour, and this morning I suspect it too much less time than that.

On the afternoon game drive, we took a slow approach to try and fill in our safari with all of the other things that we had not spent enough time working on, like birds, buffalo, landscapes and general plains game. We split off from the other 2 vehicles and decided to spend some time with a rather lively family of elephants, who were down at the channel drinking water. Kane noticed some interesting behavior on the edge of these large pachyderms, and we noticed that one large bull was trying to keep a smaller bull away from one of the females in estrus. The smaller male was approaching the female, and she wasn’t interested in mating with him, despite his ‘5th leg’, which was ready to go into action. The female ran away, and the smaller bull raced after her through the shallow water’s edge. Trailing behind was the larger bull, and the trumpeting and splashing of water was quite amazing to see. These types of events always make me realize that life in the wild is all about sex, violence, eating and sleeping.

After some time spent with this threesome, we continued driving down the channel to the west, and we tracked down the Savuti pride of lions, which includes an adult female and her two sub-adult males. The males are under 2 years of age, however they are already larger than her mother. We initially saw only the 2 males, and after 15 minutes we heard the mother’s quiet roars in the distance. We repositioned the vehicles to witness their reunification, and you can see just how close of a bond the family has.

After a few minutes of loving behavior, they moved towards the channel and positioned themselves to watch over herbivores on the opposite side of the water. These lions are quite smart, in that they had positioned themselves at the end of the backflow, and any animal that wanted on the other side of the channel would have to come face to face with them.

We headed back to camp after sunset, and all talked about what an amazing day it was. After a quick shower, Sean the manager and I heard over the radio that the Duma Tau male leopard was set to walk through camp, and we ran to grab a vehicle to go out and see what was going on. It was already dark outside, and we saw his tracks but could not locate him in the thick bush. When we arrived back in camp, there were numerous camp staff using flashlights along the walkway. Apparently he had walked right through camp and had found his way back out of camp.
At dinner we all had good laughs and smiles, and myself, Grant and James asked each person to tell the group what their favorite moment, memory or photograph from the trip was. I love doing this exercise, as it collectively reminds everybody that we all see and feel different things while out on safari. These kinds of moments help remind me just how much I love my job and career, and how I am doing what I was meant to do with my life. My old software consulting career was less than fulfilling, and I have found something that I am extremely passionate about.

Note: All images in these daily blog postings are very very rough edits of the things we have seen, and I often omit the photographs that take too much time to process. I don’t take much time off during the day, as I am working with people with their photographic needs. All of my images in these posts will have to be re-processed when I get back home, and they are only included in these blog entries for illustration purposes.

Monday
Jan112010

Namibia Workshop announcement

Namibia Photographic Safari

September 20-30, 2010

 

In September 2010 John Paul Caponigro will lead a private group of photographers into Namibia's untamed wilderness areas. The goal of this safari is to photograph the breathtaking desert landscapes of Namibia. This will be a flying safari and we will maximize the time out on safari by flying from location to location. This will enable us to carry an adequate amount of camera baggage, do some aerial photography of scenic locations, and eliminate time-consuming, long drives. This will be a serious instructional safari with a strong focus on teaching in the field.

Safari Highlights

  • This private flying safari covers fascinating attractions in Namibia, while enjoying much of the stunning landscapes from the air.
  • We will fly to three amazing destinations in central and northern Namibia: Kolmanskop, The Namib Desert / Sossusvlei, and the incredible Skeleton Coast.
  • Kolmanskop is a famous ex-diamond mining ghost town which today is fighting a losing battle against the winds and sand dunes that are enveloping it... the photography here is striking and we will make two separate visits to the ghost town to make images. Truly a photographer's dream location.
  • The Namib Desert may well be the world's oldest desert. The apricot-colored dunes at Sossusvlei are some of the most beautiful landscapes on earth. Herds of mountain zebra, gemsbok and springbok roam the area.
  • The Skeleton Coast is one of our planet's most remote locations. It is wild, desolate, uninhabited and stunningly beautiful. This is a place the will rival anything in Africa for those who enjoy the excitement of wild and remote places.
  • In all the areas we visit, you will have the opportunity to spend quality photographic time.
  • Personalized instruction with John Paul throughout the safari.
  • Safari is limited to 11 participants.

For more detailed information on this workshop, click here. If you are interested in this exciting safari, please email me at info@andybiggs.com.

Here are some images from the locations that will be visited:

 

Kolmanskop deserted diamond mining town

 

Namib desert from our private charter plane

 

The dead trees at Deadvlei (Sossusvlei)

 

The towering dunes of Sossusvlei

 

Driving over and through the dunes at Skeleton Coast N.P.

 

Running down the dunes at Skeleton Coat N.P.

 

Saturday
Oct032009

Finding the perfect photo bean bag for safari

Buddy Eleazer has just posted a great summary of the most popular bean bags on the market on his Chobe Safari blog. This is a great resource if you are in the market for a bean bag.

Finding the perfect photo bean bag for safari blog entry

My own personal preference is the Kinesis Safari Sack. I have a few dozen that I have for my safari travelers that are always in Tanzania waiting for me. We fill them up with red beans that we purchase at a local market, and the guides empty out the bean bags at the end of our safari and take them home with them to eat. I don't want to have beans sitting around rotting in the bean bags. If you are traveling and do not anticipate having access to beans, I highly recommend purchasing the Kinesis Safari Sack that is prefilled with buckwheat. It is a lightweight option, and the buckwheat is an excellent filler.

Monday
Sep282009

Workshop Testimonial: Stephen Starkman

Stephen Starkman recently traveled with me and John Paul Caponigro to Namibia, Africa. Stephen was kind of enough to share his exceptional photographs with me, as well as his testimonial. Thanks so much, Stephen!

As a side note, John Paul will be returning to Namibia next year in September 2010 to lead another Namibia landscape workshop. I will be formally announcing the workshop in the coming days, however I have already posted the itinerary online:

Namibia Photographic Workshop with John Paul Caponigro

September 20-30, 2010

 

"..Andy, I cannot thank you enough for all his hard work putting together our workshop in south and central Namibia. You are a man of exceptional talent and infinite patience (well, almost infinite!). You are also an incredibly talented photographer, as is evident in the pages on your website. I wouldn't hesitate for a minute taking another workshop with Andy. Andy - we all had a blast - and now some exceptional photographs to show for it!"

 

 

 

 

 

 

 

Friday
Sep252009

Himba Women of Namibia

 

Himba Women

Namibi, Africa. April 2006

Canon 5D, 70-200mm f/2.8L IS, 1/250 @ f/6.3, ISO 250

Friday
Sep042009

Photo of the Day

 

Legadema

Mombo Camp, Botswana. July 2009

Nikon D3, 200-400mm f/4 VR, 1/200sec @ f/4, ISO 12,800

I know, I have been inundating this blog with photos of Legadema lately, however I thought this image would be an interesting study because of the technical details of the image. Did you notice that it was captured at ISO 12,800? Yes, this is a bit extreme, but the sun had gone down 15 minutes earlier, and rather than go back to camp we sat and enjoyed her company for a little while longer. I used Noise Ninja to clean up the noise a tad, and I used Nik Software's Viveza to brighten her up and have her more visually separated from the backgroud.

Photographing a leopard is likely some of the most challenging situations in wildlife photography. You either have one in a tree with extreme light/dark contrast, or you have one on the ground with grass and twigs in the way. Nature is inherently messy, and it is our job as photographers to try and eliminate the clutter by using our shooting position and our focal length to try and isolate our subjects.

As a rule of thumb, I like to instruct my safari travelers by rating items that show up in a scene. You can think of each item in your viewfinder as being positive, neutral or negative. Eliminate the negatives, get as many positives as you can, and neutrals are just going to be there. The branch that is coming out of her head is a negative, however you can reduce it somewhat by using visual tricks to get a viewer's eye to not notice it as much. In this example I brightened her up and darkened the background, as to give visual preference to one thing over another.

Trick: make your subject brighter than the background, as brighter objects tend to attract a viewer's eye. This is why lions sitting in the shade, underneath a tree with a bright background generally isn't a very successful photograph. Wait until your subject has a clean background that is also darker than your subject, and you have instantly created a luminance contrast that is in your favor.

Trick: try to find your subject in a different hue than the background, and you now have a case of hue contrast. In the image above the reflected light in the background (and on the subject) has blue-ish, and the subjects bright yellow coat (even though it is in cool shadow light) is warm. Now you have a warm / blue hue contrast that also helps separate the background from the subject.

Thursday
Sep032009

Photo of the Day

Legadema

Mombo Camp, Botswana. July 2009

Nikon D3, 200-400mm f/4 VR, 1/400sec @ f/4, ISO 2000

Thursday
Aug272009

Photo of the Day

 

Legadema

Mombo Camp, Okavango Delta, Botswana. July 2009

Nikon D3, 200-400mm f/4 VR, 1/160 @ f/4, ISO 6400