Photo of the Day - Peacock, Bandhavgarh, India

Peacock
Bandhavgarh, India



I am an avid adventurer, conservationist, teacher, and outdoor photographer whose photography celebrates the African landscape and its rich wildlife, people, and culture. My photographic safaris allow my travelers to not only enhance their understanding of photography, lighting, and wildlife, but to develop a life-long admiration for Africa ‘s beauty and culture.
Banana Republic recently used my photographs as the cornerstone of their Urban Safari campaign, and my images were seen in all 750 stores around the globe, as well as in their billboards, catalogs and annual report. I was also the winner of the BBC Wildlife Photographer of the Year in the ‘Wild Places’ category in 2008 and a highly commended in the ‘Creative Visions of Nature’ category in 2007.
I launched Gura Gear in 2008, in an attempt to deliver lightweight camera bags to the market. I was looking for a lightweight camera bag to hold all of my photographic gear, and there was nothing desirable on the market that suited my needs. After spending 2 years with many prototypes, the Gura Gear Kiboko bag was born. More products are now available on the Gura Gear web site.
Peacock
Bandhavgarh, India
The 2015 year has been off to a busy start, as I guided a private group to Botswana’s Okavango Delta in January, and recently I was in Tanzania’s Serengeti for my first open signup safari for the year. Both were amazing safari experiences, and this is my first image to share in the new year. Enjoy!
Lion On A Rock
Serengeti National Park, Tanzania
February 2015
Phase One DF+ camera, IQ250 digital back, Schneider 240mm lens
Rise Above The Rest
Galápagos Islands, Ecuador
Phase One DF+ camera, IQ280 80mp digital back, 75-150mm lens @ 80mm. 1/400 sec @ f/8, ISO 100
After many trips to the Galápagos Islands over the past decade, I have had great difficulty trying to anticipate and identify those unique moments that transcend anything more than a grab shot. I have to admit that it is a difficult place to photograph for me, as my visual storytelling ‘look’ or ‘style’ tends to be with wider angle lenses in an attempt to include the environment as much as the subject itself. On this day we spent our entire afternoon outing on a soft sand beach, and on this beach were about 75 individual sea lions. Sea lions primarily feed at night, and during the day they are typically inactive and usually sleeping. These sea lions were lying in a row, and I took some time to sit there and observe and enjoy the amazing light. This large male woke up, stretched his body and neck, and eventually found a new place to relax. Boom. Time to take a quick frame.
Lion Greeting
Okavango Delta, Botswana. December 2013
One of the challenges with wildlife photography is the capturing of a special moment that transcends something that might be static or uninteresting. In another post I am going to describe what I call the ‘adjective-driven approach’, but the short description is that I am always in pursuit of photographs that I can create a long list of adjectives to describe it. It’s simple, really. The longer the list, the more I feel like I have done my job to create an image that is interesting and worthy of looking at for longer than a short glance.
When lions greet each other after a short or long absence, especially if there are cubs, is one of those moments when you know you are going to get a long list of adjectives: love, affection, adoration, power, excitement, regal-ness (is that an actual word?), happiness. I could go on and on, but you get the point.
Lion Cubs
Olare Motorogi Conservancy, greater Masai Mara, Kenya
January 2014
Lion On The Plains
Masai Mara Game Reserve, Kenya. January 2014
There is something so regal, so majestic, so beautiful about a male lion in his prime when his mane is waving in the wind. I have found that the angle at which one photographs big cats as the lie in the grass is extremely important. If the subject is showing too much belly you have to move the vehicle around to eliminate that view, and other angles may show an awkwardness to the way the animal is sitting or lying down. I didn’t have much of a choice with this subject, primarily because the background in this view was the best with the above angle of view. A well-positioned background is that extra step that a photographer needs to think about, as you do not want to have your background (or foreground) compete with the overall purposes of what the photograph is all about.
I did attempt to get a head-on shot of this male, however the sitted position and the background just didn’t work for me.
This is just my $.02 and how I tend to like to frame my photographs. What do you think?
Leopard In The Rain
Okavango Delta, Botwana. December 2013
Nikon D800E, 300mm f/2.8, 1/500 @ f/4.5, ISO 800
Stretching Leopard
Okavango Delta, Botswana. November 2013
Phase One DF+, IQ280 80mp digital back, Schneider 240mm lens
As many of you know I have been working with digital medium format for a couple of years, and even though medium format digital equipment isn’t the most appropriate for much of my wildlife work it definitely has its place in my bag on those trips. Why? If you could see this image printed in person you would have that answer. The detail and crispness stand out in a way that no other capture device can do so.
I recently upgraded from a 60 megapixel digital back to an 80 megapixel back and I am very glad that I did so. The new dimensions are 10,300 x 7,760 pixels. Whoa. Yup. That’s a big file to deal with, but the results are astounding. My longest lens is a 240mm, which equates to around 155mm on a full frame 35mm camera. Since I photograph many subjects and not just wildlife, the new Phase One IQ280 on a Phase One DF+ camera will be in my bag on all of my trips going forward. For my wildlife trips I augment either Nikon or Canon gear, however for landscape trips I am 100% medium format.
I am heading back out to the bush tomorrow, and I hope to come home with another image or two from this new camera system.