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About Andy

 

I am an avid adventurer, conservationist, teacher, and outdoor photographer whose photography celebrates the African landscape and its rich wildlife, people, and culture. My photographic safaris allow my travelers to not only enhance their understanding of photography, lighting, and wildlife, but to develop a life-long admiration for Africa ‘s beauty and culture.

Banana Republic recently used my photographs as the cornerstone of their Urban Safari campaign, and my images were seen in all 750 stores around the globe, as well as in their billboards, catalogs and annual report. I was also the winner of the BBC Wildlife Photographer of the Year in the ‘Wild Places’ category in 2008 and a highly commended in the ‘Creative Visions of Nature’ category in 2007.

I launched Gura Gear in 2008, in an attempt to deliver lightweight camera bags to the market. I was looking for a lightweight camera bag to hold all of my photographic gear, and there was nothing desirable on the market that suited my needs. After spending 2 years with many prototypes, the Gura Gear Kiboko bag was born. More products are now available on the Gura Gear web site.

 

 

 

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Entries in Sossusvlei (4)

Friday
Jan042013

Namibia Trip Report [Warning, Modem Buster Alert]

Back in late September I lead a trip to Namibia for Phase One as part of their PODAS series of workshops. My good friend, Bill Atkinson, was the other instructor on the trip, and we had an excellent time together with our travelers. Our trip began and ended in the capital city of Windhoek, and we flew between 3 different locations across the country.

Since I have been to Namibia many times in the past, I tried to put myself in a different creative mind on this trip. My goal was to find new compositions with shorter focal lengths, which isn’t always easy with all of the far away types of shots that Namibia has. I did use my Phase One camera system this time, which limits me on the long end anyway, and it is probably the best camera system for that type of environment: huge huge files from 40, 60 or 80mp digital backs for crisp/detailed images with rich color fidelity.

Our first destination was in the sleepy town of Lüderitz, which is a coastal town that was built to support the diamond mining efforts at the beginning of the last century. While at Lüderitz we were able to photograph the abandoned diamond mining town of Kolmanskop, where I have been many times in the past. This was, however, my first time to visit and photograph with a medium format camera. We spent 2 nights there, and had 2 separate shoots at Kolmanskop on separate days.

As a side note, I will be leading a pair of Namibia trips with Joshua Holko in 2014. We are working on the details right now. Please notify me if you are interested in more information when I have all of the details planned out. info@andybiggs.com
 

Staircase, Kolmanskop Mining Town

Phase One DF camera, IQ160 digital back, 28mm lens

 

Two Doors, Kolmanskop Mining Town

Phase One DF camera, IQ160 digital back, 45mm lens

 

Door In A Door, Kolmanskop Mining Town

Phase One DF camera, IQ160 digital back, 75-150mm lens

 

After we left Lüderitz we flew over to Sossusvlei, where some of the tallest sand dunes in the world are located. We stayed in the area for 3 nights, and visited the famed Deadvlei a couple of times in an attempt to ‘get it right’. I do like visiting a location more than once, as I tend to get hung up with a particular style on a shoot. Sometimes this means that I stick with a single lens, sometimes it means that I envision only B&W or color or sometimes it means that I take huge creative risks in an attempt to do something completely different. We also took some time to scout some less photographed areas of the Namib-Naukluft, and found what I hear is the most northern quiver tree in Namibia. Talk about far away from its nearest relative, which is still at least a 50km drive.

 

Deadvlei in B&W

Phase One DF camera, IQ160 digital back, 45mm lens

 

A Lone Quiver Tree

Sony RX-100 point and shoot camera

 

Yours Truly

 

El Grupo

 

At the end of the trip we flew to the more remote area of Namibia, Serra Cafema Camp. Serra Cafema Camp is located on the Kunene River, which separates Namibia from Angola. One of my all-time favorite locations to photograph is here, and it is the combination of remoteness, grandiose beauty and accommodations that keeps bringing me back. 3 nights just scratches the surface of what this area can do for photography, and I look forward to going back again in future years.

 

Overlooking the dune field from a vantage point

 

Driving through the dunes

 

A side view of one of the dunes near camp

 

Our thrones around the fire

 

I am not sure this is what Really Right Stuff envisions for their tripod support

 

Another vantage point before we went into the dunes for sunset

 

Dune field with the Serra Cafema mountain range in Angola in the background

 

Ovahimba Tribe

 

Sharing our images

 

Our final breakfast location, overlooking the Kunene River and Serra Cafema mountain range in Angola

Tuesday
Jul132010

Aerial photography has been added our September Namibia workshop

Great news! We have been working behind the scenes to setup some aerial photography time on the September 20-30, 2010 Namibia landscape workshop. I cannot tell you how amazing the workshop is going to be, as it combines my favorite and most photographically rich locations in all of Namibia, excellent leadership by John Paul Caponigro, and now aerial photography while flying over the biggest, baddest sand dunes on the planet. 

Here are a few bullet points about the workshop: 

 

  • Aerial photography in the Namib-Naukluft area (optional excursion)
  • The famed Deadvlei trees at Sossusvlei
  • The tallest sand dunes in the world
  • The remote landscapes of the Skeleton Coast
  • The deserted mining town of Kolmanskop
  • A small, intimate group, led by John Paul Caponigro

 

Imagine being able to fly over the most dramatic dunes in the world with no doors on the plane. It's you, your camera and the dunes below. Here are some photos from my last trip to Namibia over these majestic dunes (I haven't had the luxury of flying in Namibia on photo-specific flights, and the ability to take the doors off the plane and shoot unobscructed, with a safety harness, is a great benefit).

 

 

 

 I have heard from many travelers that aerial photography in Namibia is something that is on their list, and now I have the proper people in place to make it happen. Email me at info@andybiggs.com if you would like to join the September 20-30, 2010 Namibia workshop. It will be one heck of a good time.

Monday
Jan112010

Namibia Workshop announcement

Namibia Photographic Safari

September 20-30, 2010

 

In September 2010 John Paul Caponigro will lead a private group of photographers into Namibia's untamed wilderness areas. The goal of this safari is to photograph the breathtaking desert landscapes of Namibia. This will be a flying safari and we will maximize the time out on safari by flying from location to location. This will enable us to carry an adequate amount of camera baggage, do some aerial photography of scenic locations, and eliminate time-consuming, long drives. This will be a serious instructional safari with a strong focus on teaching in the field.

Safari Highlights

  • This private flying safari covers fascinating attractions in Namibia, while enjoying much of the stunning landscapes from the air.
  • We will fly to three amazing destinations in central and northern Namibia: Kolmanskop, The Namib Desert / Sossusvlei, and the incredible Skeleton Coast.
  • Kolmanskop is a famous ex-diamond mining ghost town which today is fighting a losing battle against the winds and sand dunes that are enveloping it... the photography here is striking and we will make two separate visits to the ghost town to make images. Truly a photographer's dream location.
  • The Namib Desert may well be the world's oldest desert. The apricot-colored dunes at Sossusvlei are some of the most beautiful landscapes on earth. Herds of mountain zebra, gemsbok and springbok roam the area.
  • The Skeleton Coast is one of our planet's most remote locations. It is wild, desolate, uninhabited and stunningly beautiful. This is a place the will rival anything in Africa for those who enjoy the excitement of wild and remote places.
  • In all the areas we visit, you will have the opportunity to spend quality photographic time.
  • Personalized instruction with John Paul throughout the safari.
  • Safari is limited to 11 participants.

For more detailed information on this workshop, click here. If you are interested in this exciting safari, please email me at info@andybiggs.com.

Here are some images from the locations that will be visited:

 

Kolmanskop deserted diamond mining town

 

Namib desert from our private charter plane

 

The dead trees at Deadvlei (Sossusvlei)

 

The towering dunes of Sossusvlei

 

Driving over and through the dunes at Skeleton Coast N.P.

 

Running down the dunes at Skeleton Coat N.P.

 

Wednesday
Jul012009

Namibia trip report (Part 3 - Namib-Naukluft)

This is the 3rd trip report from my latest safari to Namibia You can read my Namibia trip report (Part 1 - Skeleton Coast) entry and also my Namibia trip report (Part 2 - Serra Cafema) entry if you have not already done so.

After winding down our time at Serra Cafema, we took a long bush plane flight down to Swakopmund to fill up with fuel. We flew over the Cape Cross seal colony and turned the plane inward towards the huge dunes of the Namib desert. The absolutely huge dunes of the Namib-Naukluft Park greeted us as we prepared to land. The Sossusvlei / Deadlvei region always blows me away, and this time was no exception.

We spent 3 nights with my friends at Kulala Desert Lodge (Carina the manager is a great friend), which is the closest place to stay to the entrance of the park. It is extremely comfortable and the shorter drives into the park is definitely appreciated, as the area is vast and spread out.

I visited this area 2 times on this trip to Namibia, and I will only include the images that I took from this first visit. I have to admit that I had a very difficult time trying to capture the area in a different way when compared to my previous trips there. I looked at my images and, for the most part, I was unhappy with my experimentation and results. I am not sure why, as I was emotionally connected when taking the shots, but the images on my screen just don't match how I felt when I was taking them. This is the age old challenge for nature photographers, and I got hit hard on this trip.

Overall, I had such a great time on this segment of my Namibia trip. The participants, my co-leader JP, the landscapes, the lodging and all of the staff along the way. This was certainly a trip that I will remember for a long, long time, and I hope to dig a few portfolio additions out of my raw files. I just need to decide which types of images I am really looking for, as I have images that are very similar to those from prior trips, and also new types of images that are very different and are more challenging to process. When I put a portfolio together, I always make sure that the overall tone, color palette and feel are consistent through all of the images. My style of photography is changing right now, and I am not sure where it is going to end up. I am having fun playing around with different looks, for sure, but these new ideas of processing may necessitate my going back to my older Namibia images to re-process them to have a more consistent look and feel to them.

 

Longitudinal Dune, Namib-Naukuft Park, Namibia. Sony A900, 70-400mm, 1/30 @ f/11, ISO 100

 

Sand Slide, Namib-Naukuft Park, Namibia. Sony A900, 24-70mm, 1/15 @ f/13, ISO 100

 

Photographer in the dunes, Namib-Naukuft Park, Namibia. Sony A900, 70-400mm, 1/80 @ f/11, ISO 100

 

Dunes from above, Namib-Naukuft Park, Namibia. Sony A900, 24-70mm, 1/500 @ f/7.1, ISO 200

 

Dunes near Sossuslvei, Namib-Naukuft Park, Namibia. Sony A900, 16-35mm, 1/20 @ f/16, ISO 100

 

Repeating Triangles, Namib-Naukuft Park, Namibia. Sony A900, 70-200mm, 1/40 @ f/11, ISO 100

 

Photographers in formation, Namib-Naukuft Park, Namibia. Sony A900, 70-400mm, 1/100 @ f/4.5, ISO 100

 

Is this the new definition of a tripod? :-). Namib-Naukuft Park, Namibia. Sony A900, 24-70mm, 1/6 @ f/8, ISO 100

 

JP at Deadvlei, Namib-Naukuft Park, Namibia. Sony A900, 16-35mm, 1/160 @ f/8, ISO 100

 

Digging in for a shot, Namib-Naukuft Park, Namibia. Sony A900, 70-200mm, 1/30 @ f/5.6, ISO 100