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About Andy

 

I am an avid adventurer, conservationist, teacher, and outdoor photographer whose photography celebrates the African landscape and its rich wildlife, people, and culture. My photographic safaris allow my travelers to not only enhance their understanding of photography, lighting, and wildlife, but to develop a life-long admiration for Africa ‘s beauty and culture.

Banana Republic recently used my photographs as the cornerstone of their Urban Safari campaign, and my images were seen in all 750 stores around the globe, as well as in their billboards, catalogs and annual report. I was also the winner of the BBC Wildlife Photographer of the Year in the ‘Wild Places’ category in 2008 and a highly commended in the ‘Creative Visions of Nature’ category in 2007.

I launched Gura Gear in 2008, in an attempt to deliver lightweight camera bags to the market. I was looking for a lightweight camera bag to hold all of my photographic gear, and there was nothing desirable on the market that suited my needs. After spending 2 years with many prototypes, the Gura Gear Kiboko bag was born. More products are now available on the Gura Gear web site.

 

 

 

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Entries in Photo Gear and Reviews (84)

Wednesday
Dec192007

Cameras and lenses, Oh My!

I was diving through my most favorite images a few days ago, and decided to use Adobe Lightroom's meta data filtering capabilites. I sorted all of my favorite few hundred images, and here are the most popular lenses from my safaris since I switched to digital in 2002:

16-35mm f/2.8 = 5
24-70mm f/2.8 = 34
24-105mm f/4 = 17
70-200mm f/2.8 = 11
100-400mm f/4.5-5.6 = 36
400mm f/4 = 57
500mm f/4 = 81

 
I can certainly see the trend in my photographic style, as well as my use of certain cameras and lenses. What is amazing is how many of these images were captured with non professional camera bodies. I had a good run of images back in 2003 with only a pair of Canon 10D cameras.

I am using shorter and shorter lenses these days, as well as specialty cameras such as a modified Canon Rebel XTi for infrared. I have also purchased a 6x24cm panorama film camera, which will be put to use next month in Tanzania. My photographic vision is certainly changing right now, and I am trying to visualize and capture all of my African images in black and white. I like to think that this is the next challenge for me, and I am certainly making it a challenge. My new Fotoman 624 panorama camera is huge, only captures 3 images per roll of film, and is quite challenging to use for moving wildlife. For example, in ample light I plan on shooting with ASA100 film. To obtain an adequate depth of field for my subjects at 300mm, I will ideally shoot at f/16 or f/22. This might give me a shutter speed of 1/125 at best. I must be nuts. But challenges is what I am into, so bring em on.
Tuesday
Oct232007

Wonpro universal detachable power strips

I have found a wonderful product for photographers that travel overseas. I reviewed the Road Warrior adaptor last year, and while a wonderful product, one still needs some sort of surge protection for all of your devices that you are plugging in. On my last safari, I took along a Wonpro power strip with 5 outlets. What makes this power strip different from all others? Check this out:

  • The system is modular: you select the number of outlets, and also the type and length of power cord. I chose a 5-outlet model and a 6.5-foot cord with a UK plug on the end. You can purchase additional power cords to suit the location you are going to. Need European? US? Just take off one cord and replace it with something else.

  • The outlets are universal. You can plug anything into the power strip. UK? US? European? Japan? You bet. All on the same strip.

  • The outlets are 2 inches apart. This allows you some additional room for those huge bricks that some camera chargers have.

wonpro.jpg



Plus


wonpro2.jpg


Or


wonpro3.jpg


Or


WE-109w250.jpg


Or


WE-110Lw250.jpg


You get the drift. Many combinations, depending on the country you are in. And they come in different lengths, as well.

Why is this a cool product? Instead of taking along a US power strip that is rated for 110v, I now have a power strip that is rated for 240V, accepts any plug type, can be ordered with 3, 5 or 6 outlets, has room for large bricks, and has detachable cords on the end. So I can have a UK cord when I am in Tanzania, a US cord when I am at home, and some other cord when I need it.

Highly recommended. If I had to purchase another one, I would go ahead and get the 6-outlet version, as there is only 2 ounces of weight difference between the 5-outlet and 6-outlet.

Wonpro Power Strips

Wednesday
Jul182007

My 1DMk3 configuration settings

I have uploaded my Canon EOS 1DMkIII configuration file to my web server. If you are daring enough to try it out, you can download the file in the link below.

 

Andy's 1DMkIII configuration file

To use this file, you will need to unzip the file onto your hard drive. Then copy the .csd file onto a memory card and insert the memory card into your 1DMkIII camera. Go to the menu system and select the 'Save/load settings on media' option to load this file onto your camera. I highly recommend using the C. Fn setting register/apply function to save your current configuration in your camera, in case you wish to easily revert back to your settings that you had prior to using my configuration file.
Monday
Jul162007

Canon EOS-1D MkIII - A Field report

After roughly 3,300 photographs from my most recent safari in Tanzania, I have formed some opinions on how the new Canon EOS 1DMkIII performed. The Canon EOS 1DMkIII was announced in February 2007, and the first shipments of the camera arrived in late May 2007. I was among the first to receive this exciting camera, and here are some thoughts on the camera after using it out on safari for three weeks.

There has been much debate over whether the 1DMkIII has autofocus problems or not, and I have to say that from my experience there is much learning that needs to take place before casting a vote in one direction or the other. Many things changed on the camera, and are quite different than how autofocus was setup on the 1DMkII, 1DsMkII, 1DMkIIn, 1D, and 1Ds. I found that the new 45-point autofocus mode is an improvement, but not enough to make me use it much of the time. I still use a single-point autofocus point most of the time, whether I am shooting a stationary subject or a moving/flying subject. I often am photographing large mammals with complex backgrounds, and the 45-point autofocus system is easily fooled in these scenarios. I typically select either the middle point or another point on the same horizontal plane, and go from there. If a subject is stationary, I might select any of the points available.

20070628_095448_ngorongoro588.jpg


The new autofocus system was fooled often when I had a lion walking in the grass, but after doing testing with my 1DsMkII camera I found that both systems had problems. The problem was more immediate with the 1DMkIII, and I was more aware of the incorrect autofocus. After making numerous configuration changes to the camera over a three week period, I believe that I came up with a totally workable system for my specific needs. Avian photographers might have issues, as they are typically pushing the limit of autofocusing, but I do not believe that I have any issues going forward. That reminds me that I need to update my configuration settings from an earlier post on this blog.

I found issues with the autofocus on the 1DMkIII, but given the same situations I found that my 1DMkII and 1DsMkII had similar problems with autofocus tracking. I had some missed shots early on, and I wasn't sure why. After changing most of the autofocus settings, I learned that out of the box the 1DMkIII isn't well suited for my style of photography. Not a problem, because I have now changed the camera to work for me. So after a few thousand photographs I think I can say that the 1DMkIII works great for me from an autofocusing standpoint. That doesn't mean that it doesn't have issues for other people. Since I don't typically photograph little brown birds that fly towards the camera, or athletes or motor cars, I can only state that the 1DMkIII works great for my specific situation. I am not interested in field testing the camera in other situations, because I don't have the time, inclination or desire to go beyond my own specific needs.

The battery performance of the new 1DMkIII is absolutely stellar. I have purchased a second battery, but I am willing to bet that I will rarely use it. With more than 2200 shots per fully charged battery, this is more than enough if you forget to charge at the end of a day. I use two, and sometimes three cameras on my safari shoots, which means 200-500 shots per day are distributed across the three cameras. So I could easily shoot for an entire week without charging back up. Very impressive!

The shooting speed is roughly 10 frames per second in high speed mode and 3 frames per second in low speed mode. I have configured the camera to shoot 5 frames per second in low speed, which is the mode I rely on most of the time. I only switch to high speed mode if I anticipate very fast movement or action.

20070617_091357_ngorongoro124.jpg


The new button layout is quite nice, as well as the feel of the camera in my hands. It is an improvement, but not enough to match what Nikon has done with the D2x. An improvement is a good thing, but not quite enough to make it an A+. I love the weight savings from the older 1 seriers cameras, though.

Some small improvements have all added to up nice bonuses, such as the recessed dioptic adjustment at the eyepiece. No more accidental changes. There is a new joystick for navigating the menu system and autofocus system. There is a custom menu option for creating your own personal menu, which allows you to create a custom menu from any options within the setup of the camera, and place them all on an easy-to-reach custom menu. I am using this personal menu for the mirror lockup button, battery status, formatting, AF beep, etc. Very nice.

In the end the EOS 1DMkIII camera is a joy to use out in the field. I used the camera on a 100-400mm lens, and my 1DsMkII was mated with my 500mm lens. My longest lens usually gets the most work, so the new 1DMkIII only saw about 1/3 of my total shots. I still prefer to use the 1DsMkII for my primary camera, as I want the largest files possible for my stock and print sales business. I am willing to trade off frames per second and buffer size for the large file size of the 1DsMkII, and look forward to its replacement someday. I will then have a wonderful lineup of cameras, if it will be based on the 1DMkIII design. One can only assume, and hope.
Monday
Jun112007

My Canon 1DMkIII configuration settings

(this blog entry has been updated as of July 17, 2007 with new autofocus settings. You can download my camera's configuration here.)

For those that are interested, here are my Canon EOS 1DMkIII configuration settings, with some short notes on why I have configured my camera this way. I am only highlighting those functions or settings that I have changed.
 
Shooting Menu 1 (Red)
White balance: Automatic. I don't waste time working with specific white balance settings, as I know I will change them later. This is a creative control for me, as I am not working in a studio or with artificial light (only for slight fill flash).

Color Space. Adobe RGB. This only affects JPG files, and RAW files are not affected. This is a CYA setting for me, just in case my camera gets switched to JPG files.

Picture Style. Standard. Since I shoot only RAW, this function doesn't deliver any benefit for me, unless I wanted to have my embedded JPG image reflect these settings. I am using Lightroom for processing, and Lightroom creates its own preview, based on default setting from inside the application.

Shooting Menu 2 (Red)
JPEG Quality: 10 for all sizes. I never shoot JPG, but on the off chance that my camera gets set accidentally to JPG, I will at least shoot with the highest quality JPG files possible.

Image Size: RAW

Review Time: 4 seconds. The default of 2 seconds often isn't enough. If I have reviewed an image and it has been less than 4 seconds, I can always lightly press the shutter button to resume shooting.

Beep: On and Off, depending on the situation. I find that when I am at home and taking indoor family shots in low light, I like having the beep on to tell me if my autofocus is working properly. In bright light outdoors I am autofocusing all of the time, and the beep starts getting annoying after a full day of shooting.

Shooting w/o Card: Off. I like to know when I have lost my brain and don't have a media card inside the camera.


Playback Menu 2 (Blue)
Highlight Alert: Enable. This is one of the biggest benefits of shooting digitally, as I can monitor my exposures to see what data I am blowing out. I do subscribe to the 'expose to the right' metering, which is to accept that overexposing as much as possible, but before clipping anything, allows for more discreet levels of information in my files for all tonalities.

AF point display: Enable

Histogram: Brightness *or* RGB. I use Brightness most of the time, unless there is a dominant color in my scene. For example, in Namibia with the red sand dunes, it is easy to blow out the red channel, but have the overall histogram be slightly underexposed. I like to pay attention to individual colors if there is an abundance of either red, green or blue in a particular scene.

Setup 1 (Yellow)
Auto Power Off: 4 minutes

Record Func+media/folder sel: Standard

File numbering: Continuous

File name setting: default. I rename upon importing onto my Macbook computer, so filenames are of little consequence out of the camera.

Auto rotate: On camera and computer

Format: yes, every time I begin shooting anew.

Setup 2 (Yellow)
LCD Brightness: Highest level of 7. Much easier to view in outdoor bright sunshine situations.

Date/Time: whatever the local time is where I am shooting.

Custom Function 1:Exposure (Orange)
I-3:Set ISO speed range: L to H. I often need ISO 50 in the middle of the day to help me with slow speed panning of wildlife, and I need the combination of ISO 50 and a slow lens that can stop down to f/45 to allow me to have a shutter speed slower than, say, 1/15 of a second.

I-10: Select usable metering modes: Enable only matrix metering and spot metering. I use matrix metering most of the time, but will use spot metering when tricky lighting situations dictate creative exposures. For example, backlit subjects.

Custom Function 2:Image/Flash exposure/Display (Orange)
II-1: Long exposure noise reduction: 1: Auto. Noise reduction for exposures greater than 1 second. This setting won't always be used, but the camera will use noise reduction if it needs to.

II-2: High ISO speed noise reduction: 1: On or Off, depending on the situation. Usually turned off. Please remember that if you have this setting enabled, your buffer will be reduced from a maximum of 22 images to that of 14. This setting should be called ‘High ISO Color Noise Reduction”.

II-5: Shutter curtain sync: 1: 2nd-curtain sync

Custom Function 3:Autofocus/Drive (Orange)
III-2: AI Servo tracking sensitivity: medium fast.

III-4: AI Servo AF tracking method: 0: Main focus point priority.

III-8: 2. Enable (surrounding Assist p).

III-15: Mirror lockup: 0 or 1. For landscape photography I often use MLU, especially when shooting less than 1/60 of a second. I also have this function appear on my personal menu.

III-16: Continuous shooting speed: Enable. I have moved my slower frames per second setting moved up from 3 fps to 5 fps. Now I have single shot, 6 fps, 10 fps and the countdown timer. 3fps is not useful for me, but 6 fps is a nice balance between absurdly fast and single shot.

III-17: Limit continuous shot count: 0. Now why would I want to do this??

Custom Function 4:Operation/Others (Orange)
IV-2: AF-ON/AE lock button switch: 1: Enable. I do not like the location of the new AF-ON button on the rear of the camera, so I have switched the * button and the AF-ON button. This allows me to have a simlar feel to that of other 1-series cameras, like my EOS 1DsMkII.
Sunday
Jun102007

Canon 1DMkIII arrived

I received my Canon 1DMkIII on Friday, and I have been running the camera through its paces before I leave for Tanzania this week. I normally only use camera equipment that I know through and through on my excursions, but I feel confident enough in this camera to take it to Africa with me.

Here are a few of my thoughts on this camera so far. It is incredibly fast, I love the new battery life, I love the new battery information indicator, I love the images at ISO 3200, I love the lighter weight, and I love the large buffer. There are some things I am scratching my head over, such as the default location of the new rear autofocus button. I feel that extended use of this button will cause sever thumb strains (not an issue, as you can reassign the AF button some place else).

I am planning on posting all of my configurations for all to see, with short explanations of each selection other than the default settings.
Tuesday
Jun052007

Of online retailers and brick and mortar camera stores

In order to keep my photography business going, I need to purchase a decent amount of gear. And I expect my gear to fail from time to time, which also increases the frequency of my purchases. So what is better for me, a discount online retailer or somebody that I can call by name on the phone? For my larger purchases, I rely on Hunt's Photo. Gary Farber has been taking care of my needs for a while now, and he always comes through when I need something in a hurry or when I am away from home.

Have you ever tried to make a purchase online from a box-pusher, and have the delivery made to you at a motel in the middle of Utah? That will never happen, because of how those types of relationships work. Yes, the prices are often less expensive, but in the end does it really pay? For me the answer is no, but for your own needs the answer might be different.

If you need good service, try giving Gary at Hunt's a call. (800) 221-1830 x2332. Or email him at digitalguygary@wbhunt.com. A great guy, and always happy to help out. I know this sounds like a commercial, but it is true.

/End commercial
Sunday
May202007

High ISO article on dpreview

Dpreview.com has just posted a nice high iso article that is a good read for those who are interested in low light photography. As dpreview writes:

"It's rare these days for a compact camera to be launched without a high sensitivity mode / high ISO capabilities, but the truth behind the marketing hype is often disappointing to say the least. We believe consumers are often being misled by the manufacturers when it comes to the actual performance of most cameras at higher ISO settings and in low light. So we decided to put together a short article for the uninitiated on the truth behind those headline high ISO modes. If you're new to digital cameras or are in the market for a new one this is well worth checking out."
 

Compact Camera High ISO modes:
Separating the facts from the hype

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