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About Andy

 

I am an avid adventurer, conservationist, teacher, and outdoor photographer whose photography celebrates the African landscape and its rich wildlife, people, and culture. My photographic safaris allow my travelers to not only enhance their understanding of photography, lighting, and wildlife, but to develop a life-long admiration for Africa ‘s beauty and culture.

Banana Republic recently used my photographs as the cornerstone of their Urban Safari campaign, and my images were seen in all 750 stores around the globe, as well as in their billboards, catalogs and annual report. I was also the winner of the BBC Wildlife Photographer of the Year in the ‘Wild Places’ category in 2008 and a highly commended in the ‘Creative Visions of Nature’ category in 2007.

I launched Gura Gear in 2008, in an attempt to deliver lightweight camera bags to the market. I was looking for a lightweight camera bag to hold all of my photographic gear, and there was nothing desirable on the market that suited my needs. After spending 2 years with many prototypes, the Gura Gear Kiboko bag was born. More products are now available on the Gura Gear web site.

 

 

 

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Entries in Safari Reports (94)

Wednesday
Jun062012

Sabi Sands Safari Report - Day 6

I am on a tight schedule today, so this post will be on the short side.

May through October are my favorite months to be in the Sabi Sands, primarily due to the combination of cool weather and lack of rain. Right now it is early June and the vegetation is beginning to dry out a bit and the weather is cooling down as we approach winter. Another reason why I enjoy this time of the year here is also that the days are shorter, and that means that the warm light is longer at the beginning and end of each day, due to the angle of sun in the sky. This is great for photographers, as we need all of the help we can get with regards to warm light.

We photographed a beautiful female leopard on south and north sides of the Sabi River, and some of us captured her jumping over rocks to get from the south bank to the north bank. We could tell that she was hunting, as her behavior on the north side was indicating that she needed and wanted food. We lost her for a bit in the dense brush, but we picked her up again after 30 minutes of heavy tracking. My preference is to photograph leopards walking towards the vehicle, and we only had one opportunity to do this before we disengaged to head back towards camp. The afternoon was filled with many sightings, and the one we spent the most time with was a pride of sleeping lions. They were in the tall grass, asleep, and never lifted up their heads during our two hours of sitting and waiting. After the sun had set we decided to leave.

 

Female Leopard On The Hunt

Nikon D800, 300mm f/2.8 VRII, 1/2000 @ f/4.5, ISO 400

 

Close Encounter

Nikon D4, 70-200mm f/2.8 VRII, 1/1000 @ f/5.6, ISO 400, Hand Held

 

Betty, Barry and Leon

Nikon D4, 24-70mm f/2.8, 1/250 @ f/7.1, ISO 250

 

Camera bags on this safari are sponsored by Gura Gear, which I started in 2008. Check us out. We make the best camera bags on the planet.

Some of the gear on this safari has been provided by Borrowlenses.com. I rely on borrowlenses.com for both my own needs as well as my safari travelers’ needs. When we need big lenses, cameras or anything else photographic, we turn to borrowlenses.com to help out. They are the best resource in the industry for traveling photographers.

Wednesday
Jun062012

Sabi Sands Safari Report - Day 5

We were up at 5:30, a quick coffee and tea at 6 and we were out before sunrise. I loved the cool morning, as it is hot back at home and I am already tired of 70+F temps at night. We had some amazing sightings of elephant and giraffe this morning, and we took the time to try and get the best shots possible. Drive-by photography rarely pays off in the safari world, and the best photographs take time to unfold. I love photographing anything that is in front of me, and giraffes and elephants are actually my favorite subjects. They can be the most challenging for me, and think that is part of the fun.

Giraffes are difficult from a composition standpoint. What to include? Head? Head and neck? Whole body? Vertical or horizontal? So many options and my choices rarely seem to have me happy in the end. I put my camera down for much of the day, as I wanted to spend time working with people on the rear autofocus button on their cameras, as well as discussions about composition, metering and storytelling.

We did get a report of an often-not-seen animal in the Sabi Sands, and that was of a cheetah out on the southern open planes. We hoofed it to the area and tracked the cheetah to a place where he was resting underneath a tree. The light was harsh, but our time with him was enjoyable because of the rarity of the sighting. One of the vehicles did get a great opportunity to photograph him later on as he jumped up onto a very narrow top of a termite mound. Very very cool.

We broke for a late brunch back at camp, and the staff had set up a really nice table for us out underneath a shade tree. Cold cereals, fruit, breads, cheese and eggs to order from the kitchen. It’s nice not to have to worry about my guests when we have such wonderful staff around.

We had tea at 2:30 and promptly left for our afternoon drive, and headed towards the Sand River in the northern part of Singita. We had a great sighting of a dominant male leopard of the area, and we followed him on one of the roads for quite some time. We drove behind him at a distance, as well as drove offroad to the side of him to capture him walking. The goal was to get some tall grass in the foreground as to make the road less obvious in the shots. He was walking more quickly than we could drive, as the terrain offroad was littered with large stones. Eventually he went off into the thick bush, and the rest of the afternoon was spent trying to intercept him on the other side of the thick bush. We lost him and never found him again, but we did get a great sighting nonetheless.

I feel like today was one of the better days I have had in a while, as a cheetah in the morning and a glorious male leopard in the afternoon is tough to beat.

 

Male Leopard

Nikon D800, 300mm f/2.8 VRII, 1/400 @ f/8, ISO 250, Hand Held

 

Male Leopard, as seen from a moving vehicle

Nikon D4, 70-200mm f/2.8 VRII, 1/10 @ f/22, ISO 100

 

Chris, Barry and Scot

Nikon D4, 70-200mm f/2.8 VRII, 1/250 @ f/7.1, ISO 400

 

Camera bags on this safari are sponsored by Gura Gear, which I started in 2008. Check us out. We make the best camera bags on the planet.

Some of the gear on this safari has been provided by Borrowlenses.com. I rely on borrowlenses.com for both my own needs as well as my safari travelers’ needs. When we need big lenses, cameras or anything else photographic, we turn to borrowlenses.com to help out. They are the best resource in the industry for traveling photographers.

Wednesday
Jun062012

Sabi Sands Safari Report - Day 4

Today was the last day of my pre-safari at Mala Mala, and we did things a little differently than the past few days. We wanted as much as possible to see the wild dogs at the den, so we knew we wouldn’t benefit by arriving first thing in the morning with the cold temperatures. We had our bags packed before sunrise, we ate breakfast and then we headed out for the long drive down to Charleston and the southern end of the reserve. This allowed the dogs to hopefully wake up and let the air warm up a bit before coming out. We had to transfer to Singita at 10am, so we only had about 30 minutes total at the den when we arrived there. I am glad that we planned the morning this way, because we had yet another chance to see these magnificent predators one last time. When we arrived we had either 5 or 6 adult dogs running around the vehicle, and it was difficult for me to count just how many unique individuals we had amongst us due to the dense brush. We head some fascinating vocalizations and when things died down we had to rush back to check out and head over to Singita.

I always have a great time at Mala Mala, and this short stay was no exception. I will be leading a private safari group to Mala Mala in 2013, and it might be on my public safari schedule as well. I am not sure, as my 2013 safaris aren’t set in stone yet.

At 10am we grabbed a vehicle and drove an hour west to Singita Castleton, where I will be spending the next 16 nights. Castleton is a small and comfortable camp in the Singita area of the Sabi Sands. Castleton has only 6 bedrooms and can accommodate up to 12 people, and that is the maximum. I like to take sole use of camps when I can, because this allows me and my safari groups to have flexible dining schedules based on what we are seeing out on game drives. If we are 2 hours late for lunch nobody will care. I love that kind of care-free feeling that my game drives are not based on set dining schedules. Wildlife photography comes first, and it’s not like we are going to starve if we adjust our dining schedule around a little bit.

We arrived at camp about 30 minutes before the bulk of my travelers arrived at the airstrip, so I had time to throw my bags into my room and book it to the airstrip. I chartered a Beech 1900 private airplane to bring in the rest of the safari group, which allowed for an extreme amount of weight allowance per person. The typical allowance is 44 pounds in southern Africa, which would include everything inclusive of camera equipment. Heck, my camera bags (A Gura Gear Kiboko and a Gura Gear Chobe) weigh close to that amount without even into my duffel bag with my clothing.

We said hello to everybody as they exited the plane, had cold water and wet towels for people to freshen up with, and we took off for Castleton. Everybody got settled in, had a nice lunch out in the garden and took off around 3pm for our afternoon game drive. The first game drive on any safari typically involves short distances, as we don’t want to miss all of the things that are new to people if it is their first time on safari. Zebras, rhino, giraffe, elephant, kudu, impala, countless bird species and wildebeest were on tap for the afternoon, followed by a stop for sundowner cocktails after the sun had set.

 

El Grupo

Nikon D4, 70-200mm f/2.8 VRII, 1/400 @ f/8, ISO 400

Camera bags on this safari are sponsored by Gura Gear, which I started in 2008. Check us out. We make the best camera bags on the planet.

Some of the gear on this safari has been provided by Borrowlenses.com. I rely on borrowlenses.com for both my own needs as well as my safari travelers’ needs. When we need big lenses, cameras or anything else photographic, we turn to borrowlenses.com to help out. They are the best resource in the industry for traveling photographers.

Monday
Jun042012

Sabi Sands Safari Report - Day 3

Today we decided to try and track/visit the Kikilezi female leopard with her two cubs, but we knew we needed to wait to visit the den until they had a chance to warm up after the sun came up. We drove the roads towards Clarendon dam in hopes of picking up signs of cheetah, but that turned out to not yield what we had hoped. That gave us some time for the day to heat up a bit, and when we arrived at the leopards the two cubs were racing around and as active as I have ever seen. The cubs were about 8 weeks old, and as a result have a schedule of playing, sleeping and nursing with their mother. So our time was filled with playing, and after they settled down after an hour we decided to move on. We did revisit the cubs in the late afternoon, however we had better memories than photographs due to the dense vegetation that was in the way.

Ok, let’s chat about cameras for a few moments. I have the new Nikon D4 and D800 cameras with me, and there are some major differences between the two that should be noticed. Since I only have a few minutes to write this entry between game drives, I am going to use a bullet point format to explain.

D800

  • Camera is too small for my hands, and will need to purchase the portrait grip.
  • Resolution is absolutely stunning.
  • The ability to crop an image, as the result of an absurd amount of pixels, is fantastic.
  • Low frames per second works for me, but might not work for somebody who is less familiar with African wildlife photography. I tend to shoot only when I need to, as opposed to letting the camera rip off 20 shots.
  • Autofocus is pretty darned goof for a $3,000 camera. I am not seeing any differences between the D800 and my old D3, D3x and D700 cameras.
  • I am not a fan of the new autofocus mode switches. I wish we still had a switch on the back of the camera, as opposed to having to use the A/M switch and button on the front of the camera. This is a step backwards.
  • I am finding that ISO 1600 is my limit, which is similar to what I did with my D3x. ISO 800 or lower is more ideal, but 1600 seems to be the edge of the breaking point.

 

D4

  • The best camera ergonomics of any camera I have ever used
  • I absolutely love the autofocus joysticks for both normal and portrait modes. This was sorely lacking in previous cameras.
  • I like the nice balance between file size, dynamic range and high ISO capabilities. ISO 6400 is turning out to be my limit, but 1600 and 3200 seem to be more common over the past 3 days since I began using the camera.
  • I do wish the D4 had two identical compact flash slots. Boooooo

 

It was a fantastic day, filled with leopard cubs as well as general game! Until tomorrow…..

 

Cubs of the Kikilezi Female Leopard

Nikon D800, 300mm f/2.8, 1/500 @ f/5, ISO 400

 

Breakfast In The Bush

Nikon D4, 16-35mm, 1/800 @ f/5.6, ISO 400

 

Matt, Terry and Jim

Nikon D4, 70-200mm f/2.8 VRII, 1/160 @ f/8, ISO 250

 

Elephant and the Sand River

Nikon D4, 70-200mm f/2.8 VRII, 1/640 @ f/5.6, ISO 250

 

Camera bags on this safari are sponsored by Gura Gear, which I started in 2008. Check us out. We make the best camera bags on the planet.

Some of the gear on this safari has been provided by Borrowlenses.com. I rely on borrowlenses.com for both my own needs as well as my safari travelers’ needs. When we need big lenses, cameras or anything else photographic, we turn to borrowlenses.com to help out. They are the best resource in the industry for traveling photographers.

Saturday
Jun022012

Sabi Sands Safari Report - Day 2

Up at 5:30 this morning and in the vehicle around 6. We decided to take a simple breakfast with us, as my small group of 3 of us didn’t want to eat so early nor come back to camp later on in the morning. We poured our coffees and got settled into our vehicles for the morning’s game drive.  The temperature this morning was in the mid 40’sF, so the wildlife early on wasn’t exactly very active at first light. We headed towards the northern part of Mala Mala, where there are some open areas where cheetah like to spend time. Near Clarendon Dam we didn’t locate any cheetah, however we did have a nice sighting of a rhino who was intent on sniffing out another of his own kind. I find rhinos difficult to photograph, as there aren’t many angles that are good to photograph from. Trying to line up the vehicle for a head-on view was our preferred approach, but we mostly ended up with side shots of his head and horn.

 

Rhino Profile

Nikon D800, 300mm f/2.8, 1/1250 @ f/4, ISO 400

 

After our rhino sighting we went towards an area that had a confirmed sighting of one of the adult male lions who had taken down a nyala the evening before, and when we arrived we actually saw a leopard in the vicinity. The young-ish male leopard was curious yet calm, so we sat and watched him for the next couple of hours. He sat behind a log and didn’t give us a good angle for quite some time, but I enjoyed working with blurred grass in the foreground to try and create a dreamy look to the scene. Eventually he sat up and looked at a flying bird overhead, and that probably yielded the best view of him. At one point he looked into the bushes and noticed the male lion sitting there, which was only about 40 meters away. The leopard inched forward over the next 10 minutes to see what the lion would do, and you can suspect what happened next. The lion burst out of the bush and chased the young male leopard away. I couldn’t help but laugh at how young cats tend to take bigger risks than when they are older.

 

Male Leopard

Nikon D800, 300mm f/2.8, 1/2500 @ f/2.8, ISO 500

This afternoon we decided to drive back to the wild dog den, and when we arrived we had 4 adults lying in front of the entrance. The view wasn’t the greatest, so after a short while we moved out for somebody else to come and take a look. As we were leaving we drove a road towards the Sand River and intercepted the same dogs as they were heading out for their evening hunt. The light was superb, and watching the now 6 dogs trot towards the river was an invigorating exercise. The dogs made it to the water and crossed over as the sun was fading. What a huge honor to be in the presence of one of the most endangered predators in Africa. The last research I have read has indicated there are around 4,000 wild dogs left in the wild.

 

Wild Dogs (Lycaon Pictus) Heading Out For A Evening Hunt

Nikon D4, 70-200mm f/2.8 VRII, 1/1600 @ f/5, ISO 1600

 

African Wild Dog (Lycaon Pictus) In The Late Afternoon Light

Nikon D800, 300mm f/2.8 VRII, 1/1000 @ f/3.2, ISO 800


 

 

Camera bags on this safari are sponsored by Gura Gear, which I started in 2008. Check us out. We make the best camera bags on the planet.

Some of the gear on this safari has been provided by Borrowlenses.com. I rely on borrowlenses.com for both my own needs as well as my safari travelers’ needs. When we need big lenses, cameras or anything else photographic, we turn to borrowlenses.com to help out. They are the best resource in the industry for traveling photographers.

 

Friday
Jun012012

Safari Update from South Africa - Day 1

This is the first installment of safari updates from the Sabi Sands of South Africa. I am on a 3-day pre safari with two of my customers, and at the end of this pre safari I will begin two back-to-back safaris, each with 11 travelers. My goals for writing these daily safari updates are:

 

  • To explain what we are seeing and photographing each day
  • To explain some of the camera equipment used and any thoughts around them
  • To show a day-in-the-life on one of my African photographic safaris
  • To create a diary for my travelers, so they won’t have to keep up with what we saw each day

 

So, here goes!

This morning we left the D’Oreale Grand Hotel in Johannesburg, and were picked up by my good friend Gordie, who runs a hospitality transfer business. Gordie took us to the hanger where our flight would take us to the Sabi Sands. We checked in, if you can call it that, and boarded our Pilatus PC-12 aircraft. 50 minutes later we landed at the Mala Mala airstrip, and my good friend and head ranger Matt grabbed us and took us to our camp for the next 3 nights. Every time I visit Mala Mala I make sure that Matt is my main guide, and this trip is no exception. We grabbed a nice lunch on the deck, got settled into our rooms and then took off for our afternoon game drive.

The weather this afternoon was almost perfect at around 75F. When I left home in Houston it was already getting into the 90’s each day, with an average low of the mid 70’s. I am not a fan of hot and humid places, and it was great to be in such great weather.

We had heard about a pair of leopard cubs from the Kikilezi female leopard, and made sure that we went straight for the place where they were last seen. It is important to be sensitive around any young cub, and since their mother wasn’t around we didn’t want to stay very long at all. If anything bad happened during our brief visit, the cubs would associate the event with the presence of a vehicle, and would forever be shy around them. We did spot the two 6-week old cubs, and for a quick reference I have included an image. It isn’t a great one, but the purpose of the images on these updates is to illustrate what we have seen out here.

After our brief visit with the leopard cubs, we drove along the edge of the Sand River to see what was out in the open and easy to photograph. We happened on a small congregation of bull elephants, drinking and sparring at the waters’ edge. I love any animal that is near water, especially if there is interaction with the water (drinking, splashing, etc) or if there is a reflection. Or both! We took some shots and decided we would head down to the southern edge of Mala Mala where some wild dogs had been seen a few days earlier.

When we got to the southern edge of the property, we had to bushwhack our way through very very dense brush in an attempt to locate where we though the dog den might be. We had another vehicle in the area, and he was able to triangulate and figure out the location within an hour. We stayed a fair distance back from the den, and we only saw one adult female near the entrance. Awesome! This is the key to great wild dog photography, as you know where the epicenter of activity is coming from. All hunts begin and end from the den. We didn’t stay long, as it was obvious that the other adults had already left to go hunting, and there wasn’t much to see. We needed to make sure the dogs weren’t spooked by our presence, and staying back to observe and come back another day was the best approach.

We headed back to camp after dark, as it took a while to find our way back to the road from the dense brush. The temperature quickly dropped and my vehicle mates and I all had huge smiles on our faces from our first game drive of the trip.

 

Leopard Cub

Nikon D800, 300mm f/2.8, 1/3200 @ f/4, ISO 400. Hand held

 

Elephant in the Sand River

Nikon D800, 300mm f2.8, 1/640 @ f/5, ISO 400. Shot from a bean bag

 

View of the same elephant in the Sand River

Nikon D800, 300mm f/2.8, 1/1000 @ f/5.6, ISO 400

—————————————
Camera bags on this safari are sponsored by Gura Gear, which I started in 2008. Check us out. We make the best camera bags on the planet. :-)
Some of the gear on this safari has been provided by Borrowlenses.com. I rely on borrowlenses.com for both my own needs as well as my safari travelers’ needs. When we need big lenses, cameras or anything else photographic, we turn to borrowlenses.com to help out. They are the best resource in the industry for traveling photographers.
Tuesday
Mar202012

Back from Kenya and Tanzania

 

Cheetah on a Termite Mound

Olare Orok Conservancy, Kenya. March 2012

Pentax 645D, 300mm f/4, 1/1000 @ f/5, ISO 200

 

After a 3-week absence, I am back home with my family here in Houston. I had two amazing safaris, as I split my time between Tanzania and Kenya for each. The first safari in Tanzania was a published departure with 12 travelers, and the second safari in Kenya was a private safari that was not published online. I am sorting through my limited set of raw files, and I think I have some real keepers that I will be proud of. I mostly shot video on these safaris, and so I only came home with about 1,000 files from a borrowed Pentax 645D medium format camera.

There is a story in here that I need to tell about medium format digital for wildlife photography, and the short story is that the technology works perfectly for my needs. In the past year I have been seeking out a way to be able to produce bigger prints with more detail, better color and overall image quality. I have borrowed a Leica S2 system for my Antarctica trip, a Pentax 645D for these past safaris, and I will be using Phase One gear for one or more of my trips to Botswana and Namibia last on this year. I suspect I know what I will end up with in the end, but it has been a fascinating process so far.

I have the luxury of not having to shoot for anybody else but me, which means I can take a new camera system that might only yield 1 usable photograph per few days of work. That’s ok with me, because I would like to have only a handful of portfolio additions each year. Any more and it would exceed my expectations, but my expectations are quite low as it is. I would rather have a few amazing images that I can reproduce at any size that is requested than to say that a particular image can only be printed up to 16x24.

Time to get cracking on some raw files, a trip report, video footage and some sleep time in my own bed.

Tuesday
Jan032012

Antarctica - What Worked and What Didn't

 

Nikon D3x, 70-200mm f/2.8 VR2, 1/2500 @ f/5.6, ISO 400

I have been back from Antarctica for about 3 weeks, and I was hoping to have more information online (both photographs as well as text) by now. Obviously the Christmas holidays got in the way, but now I sit with pen and paper and want to write about some of the things that worked from the trip and some of the things that did not. Long blog posts somehow always escape me, and I am not sure why. I think that I am torn in so many directions on a daily basis, and it makes it quite difficult to do anything that requires more than 5 minutes of my time. Yes, I am a poster child for adult ADD, but we will leave that for another post.

As far as images go from Antarctica, I didn’t take that many raw files if I compare the quantity to some of my peers. I heard numbers that were in the 10,000+ range from most of the other passengers, but I only ended up with 3,000 or so. Why so few? I can honestly say that I was busy working with 68 travelers that I didn’t have much time for my own photography. I consider my primary job to be that of a leader and instructor, and not as a photographer. Heck, nobody is paying me to take photographs, and I think other workshop leaders out there need to understand who pays the bills and why we in the industry are doing what we are doing. It is a gut check for other people in the industry to lift up their heads and listen to what customers need and how to service those needs. This is a general statement about the industry and in no way reflects on my co-leaders / instructors from this trip! It is a diatribe about what is going on in the workshop / photo tour industry that has been bugging me for a while, and I finally found a few seconds to write about it. Ok, on to the rest of the story…

 

Yours truly. Photo courtesy of Joshua Holko

 

Of the images that I did take, I have found some great ones that I am quite happy with. The processing is quite challenging, and I am finding that Adobe Lightroom isn’t the best tool for the bulk of the development work. A very delicate touch is required to get the most out of these files, and I have not found the exact mood that I am after that will help me have a consistent look across my best ones. My workflow is: Lightroom for cataloging and global development work (white balance, exposure, black point and just a few other items), Photoshop for local adjustments with the aid of Nik Software plugins (Viveza 2 and Silver Efex Pro 2). I know that it will take me many months to process and release my best images, which is ok with me.

As you may know, I did take a ton of camera gear with me to the bottom of the earth:

 

  • Nikon D3x
  • Nikon D3
  • Nikon 16-35mm f/4
  • Nikon 24-70mm f/2.8
  • Nikon 70-200mm f/2.8 VR2
  • Nikon 200-400mm f/4 VR1
  • Leica S2
  • Leica 35mm Summarit-S f/2.5
  • Leica 70mm Summarit-S f/2.5
  • Leica 120mm APO Macro Summarit-S f/2.5
  • Leica 180mm APO Elmar-S f/3.5
  • Really Right Stuff TVC-24 with TA-2-LB leveling base and quick release system
  • Gura Gear Kiboko 30L
  • Gura Gear Chobe shoulder bag

Since this was my first trip to Antarctica, I somehow thought that by bringing a ton of gear I would at least be able to figure out what I needed by the 1st or 2nd day and only use the items that I needed most. Note: Leica loaned me the S2 kit for the trip, as well as for a trip earlier in 2011 to Moab, Utah. I am writing up a field review for Luminous Landscape that should be complete within the next few weeks.

 

Nikon D3, 24-70mm f/2.8, 1/2000 @ f/6.3, ISO 800

 

I ended up using my Nikon D3x and the Leica S2 the most, primarily because I favored larger file sizes over high ISO noise performance. Most of my D3x images were shot at ISO 800 or under and the Leica S2 was shot at ISO 320 or 160. I did have to push it to 640 a few times, but I was more comfortable with the lower ISO values. I didn’t have a single mishap with any of my 3 cameras, however I did see a number of Canon 5DMk2 and 7D bodies give up the ghost. Some came back from the dead and a couple did not. If you are planning on an Antarctica adventure, please be aware that you will benefit from having sealed cameras with you, such as the Canon 1 series bodies or the Nikon D3, D3x or D3s bodies. It really does make a difference.

Most of my images were captured between 24mm and 200mm, and I was surprised to see that my 24-70mm was my most used lens when I looked in Lightroom at the metadata. Very surprising. My #2 most used lens was the Leica 120mm, then the Leica 70mm, Nikon 70-200mm, Nikon 16-35mm and then the Leica 35mm. I am only speaking of my favorite images, which are less than 100. We had a nice balance between Canon and Nikon equipment, as well as Phase One, Hasselblad and Leica. I didn’t see much in the way of 4/3 system equipment, now that I think about it.

 

A landing on Deception Island

Leica S2, 35mm Summarit-S, 1/2000 @ f/2.5, ISO 160

 

I only used my tripod once, which was when I went hiking with my 200-400mm lens on a rainy and windy day. I am likely to leave the two items behind if I decide to go back to Antarctica in the future. With that being said, I will absolutely take the combination if I make it to South Georgia and the Falklands, due to more abundant wildlife opportunities. I did have a failure of a camera strap, and I feel fortunate that I was able to catch my D3x before it hit hard rocks below. I was using a Pacsafe Carrysafe 100 camera strap, and the connection hardware at the camera failed by snapping off at the swivel on one of the sides. UGH. I just feel fortunate to have caught my camera before it landed on hard ground.

I took all of my camera gear in 2 bags: the Gura Gear Kiboko 30L and Chobe. The combo worked perfectly, both for travel to get to Antarctica as well as for shooting in Antarctica. I did use the included rain cover for the Kiboko 30L on a daily basis, due to the rain, sleet and snow that we encountered almost every day.

 

Leica S2+ 70mm and Nikon D3 + 70-200mm VR2

 

I packed the perfect amount of clothes for this trip, and I am not sure what else to say about it. Laundry was always available, and there was no need to overpack. Quark Expeditions gave each of us a heavy parka for us to keep, and they had boots for us to use, and these were provided to us when we got on board the ship. What an awesome way to go, because I didn’t have to travel with large, heavy clothing. I did bring NEOS Adventurer overshoes, which are my biggest recommendation for anybody traveling to the frozen continent. These overshoes fit over my light hiking boots, and made walking in snow quite easy and comfortable. I have high arches and have Supertfeet insoles to help me with comfort. I did use the supplied rubber boots on one occasion and never liked how they felt, so I went back to my NEOS overshoes for all other excursions.

Since this voyage to Antarctica required the crossing of the Drake Passage, it goes without saying that I needed drugs to help me with the extreme rocking and rolling. Each passage took around 50 or so hours, and can only be described as not that much fun. Well, ok, it sucked. On the way down I used Scopolamine patches, which didn’t work at all. I needed something else, because I had nausea every time I stood up for more than 5 minutes. Scopolamine just made me sleepy as well as thirsty. Thank God I had another option, which was Zofran. I remember my mother used Zofran when she was going through chemotherapy, and if it is good enough for cancer patients it must be good enough for me. It worked like a charm, and my recommendation to Antarctica travelers is to always have 2 solutions to seasickness, just in case your first solution doesn’t work as planned. Quark had an on-board doctor with another set of drugs, and some of the travelers took advantage of the service. Needless to say, the Drake Passage on the way back was a 100% Zofran voyage.

 

Leica S2, 70mm Summarit-S, 1/250 @ f/8, ISO 320

 

My Antarctica adventure was a trip of a lifetime, and I look forward to the day when I am able to return. I feel fortunate that all of the gear that I took with me worked as anticipated, except for the mishap with the camera strap. I do feel sorry for those who were affected by moisture with their 5DMk2 and 7D cameras, and am glad that most were able to get them back working again. I think pro cameras are the way to go if one can financially pull it off to bring one (or more than one). I am a huge fan of renting gear, and Borrowlenses.com has a great rental program for such equipment.

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