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About Andy

 

I am an avid adventurer, conservationist, teacher, and outdoor photographer whose photography celebrates the African landscape and its rich wildlife, people, and culture. My photographic safaris allow my travelers to not only enhance their understanding of photography, lighting, and wildlife, but to develop a life-long admiration for Africa ‘s beauty and culture.

Banana Republic recently used my photographs as the cornerstone of their Urban Safari campaign, and my images were seen in all 750 stores around the globe, as well as in their billboards, catalogs and annual report. I was also the winner of the BBC Wildlife Photographer of the Year in the ‘Wild Places’ category in 2008 and a highly commended in the ‘Creative Visions of Nature’ category in 2007.

I launched Gura Gear in 2008, in an attempt to deliver lightweight camera bags to the market. I was looking for a lightweight camera bag to hold all of my photographic gear, and there was nothing desirable on the market that suited my needs. After spending 2 years with many prototypes, the Gura Gear Kiboko bag was born. More products are now available on the Gura Gear web site.

 

 

 

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Entries in Photo Gear and Reviews (84)

Friday
Dec042009

Christmas Stocking Stuffer Ideas

Now that I have made my holiday book recommendations, next up are my stocking stuffer ideas that are under $100. If you have a loved one that is into photography, and you have no idea what to get him or her, here are just some ideas to help make the holidays a little brighter.

Lacie iamaKey 16GB USB Flash Drive. Now how cool is this? 16GB of storage, right on your keychain. $54.95 from B&H. They also have 8GB and 4GB versions if your budget is less or if you don't need 16GB.

Lacie iamaKey 16GB USB Flash Drive

Black Rapid RS-4 Camera Strap. I tried the strap on a recent workshop in Santa Fe, New Mexico, and I have to say that I love how comfortable my camera was. Definitely recommended. They have a few other models available if you want to pimp yours out a little more. $54.00 at B&H.

Black Rapid RS-4 Camera Strap

Impact Super Clamp. This is the same thing as the more famous Bogen Super Clamp (with Quick Action Clamp), but at a lower cost. I have found uses for these clamps in many situations. I can easily attach a ballhead or flash unit onto the clamp, and then attach the clamp onto tables, pipes or whatever I can find. I have one of these in my bag on every single trip that I take abroad. $19.95 at B&H.

Super Clamp

Justin Clamp. This is an essential tool for anybody who uses flash photography. Clamp a flash just about anywhere, and it doesn't weight that much. $54.95 at B&H.

Justin Clamp

Manfrotto 5001B Nano Compact Light Stand. This little guy fits easily in any duffel bag, and I can easily put multiple stands plus a ton of other lighting equipment in my Gura Gear Kiboko bag. They are lightweight and they don't take up much room. The collapse down to 19 inches and expand to 6 feet tall. Every traveling photographer needs to own a couple of these guys. I cannot guarantee that they are going to fit in your Christmas stocking, though.

Manfrotto 5001B Nano Light Stand

Monday
Nov232009

iFotoGuide - Arches Natl Park iPhone app released

My friends Dan Baumbach and Brett Edge have created a really cool application for the iPhone and iPod Touch devices. It is called iFotoGuide, and their first national park to be released is Arches National Park.

iFotoGuide provides traveling photographers with all the resources to organize a photography trip to Arches and make stunning images while on location. iFotoGuide has some really cool features, but my favorite feature are sample photos of locations in the park, how to get there and what types of accessories to bring. You can also find places to photograph by time of the day, such as sunrise, sunset or middle of the day.

I wish this application was available for my first trip to Arches N.P. 10 years ago. The price is $4.99, which is much less than a guide book, and this application will be updated over time. Updates get synced back to your computer. Highly recommended.

 

Tuesday
Oct132009

Nikon D3s announcement

 

Well, the camera everybody on earth already knew about has finally been announced. The Nikon D3s is pretty much the same D3 except in a few ways. Here are the high points:

  • new 1280x720 24P high definition video
  • ISO 200 - 12,800 is now standard, expandable to ISO equivalent of 102,400
  • new anti-dust Sensor Cleaning function. About time!!
  • Larger buffer with up to 48 RAW frames (was 18 in the D3)

There are other small enhancemenets, but these are pretty much the ones that I chose to report on. As many of my friends already know, my D3 was stolen when we were burglarized last month. Some of our items have been recovered, and some are still out there. For my next safari, I will be taking a D700 and a D300, both with portrait grips. I suspect I will end up buying the D3s when it hits the shelves soon.

 

 

Saturday
Oct032009

Finding the perfect photo bean bag for safari

Buddy Eleazer has just posted a great summary of the most popular bean bags on the market on his Chobe Safari blog. This is a great resource if you are in the market for a bean bag.

Finding the perfect photo bean bag for safari blog entry

My own personal preference is the Kinesis Safari Sack. I have a few dozen that I have for my safari travelers that are always in Tanzania waiting for me. We fill them up with red beans that we purchase at a local market, and the guides empty out the bean bags at the end of our safari and take them home with them to eat. I don't want to have beans sitting around rotting in the bean bags. If you are traveling and do not anticipate having access to beans, I highly recommend purchasing the Kinesis Safari Sack that is prefilled with buckwheat. It is a lightweight option, and the buckwheat is an excellent filler.

Monday
Aug242009

Possible solution for Nikon VR and AF problems?

As I was mentioning in my Botswana summary report, I have had issues on my past 2 safaris with my Nikon 200-400mm f/4 VR lens. I am pretty sure it only happened when I had a mounted teleconverter, either a 1.4x or 1.7x, but I was having weird autofocus and vibration reduction issues that would require me to power down the camera, remount my teleconverter / lens and start all over. Sometimes the only fix would be to pull out the camera battery. Very frustrating, indeed.

Well, a friend and former safari traveler of mine sent me an email that I thought might help. Here goes:

"Saw your latest entry on your Botswana trip…sounds like it was really special. Love the photos. I’m envious!

I also noted your description of problems with your D3/1.4x/200-400. You probably know this by now, but I figured I’d tell you just in case you’ve missed it: Nikons are prone to getting oxidation on the body and/or lens electrical contacts. When that happens, you get many of the symptoms you describe in your post…slow/no focus, erratic VR, mysterious error messages. Usually, you can’t even see anything on the contacts. The “commando” fix is to take something like a pencil eraser and rub it on the contacts to clean them, being VERY careful not to let any of the rubbings fall into the mirror box. (I’ve also used a microfiber lens cloth.) The tried-and-true solution is to get some DeoxIT (you can get it at your local Radio Shack or order it thru Amazon) and use that to both clean and protect the contacts. The problem with DeoxIT is that it’s one of those chemicals that you can’t take on an airplane (if you mail order it, they’ll only ship it ground). But it really works—I speak from experience. It MAY fix your problem…then again, it might be something totally different J.

Again, my apologies if you knew this already…just trying to be helpful."

No need to apologize! I have ordered some of DeoxIT and it should arrive this week. Thanks for the tip!

Tuesday
Aug112009

Sony A900 and lenses - Namibia trip summary

I know it has been a few months since I have returned from my 3-week Namibia trip, and I have even been back on safari in Botswana in the meantime, but I thought I would throw together a quick summar of my feelings of the equipment that I used on the trip. So here goes.

I always travel to Africa with my Gura Gear Kiboko camera bag, as I started Gura Gear precisely because I was tired of all of the same old camera bags on the market. All are too heavy, uncomfortable, overpadded and not well thought out. My Kiboko bag allows me to not only get my gear to my locations in a lighter fashion, but it also allows me to have multiple cameras attached and ready to shoot from. This is accomplished by dividing the center of the camera bag into two separate 'butterfly' sides. In my Gura Gear Kiboko bag I carried the following:

And there was still more room left over. I have to fess up and say that I had an experimental version of the Kiboko bag with me, and it was a different size than the standard Kiboko bag. Was it larger or smaller? Only time will tell!

On this safari I opted for simplicity, and I didn't want to take extra gear with me. In hindsight I think it was a good choice but also a bad choice. Sony graciously loaned me a great set of cameras and lenses, and I had to choose what to take and what to leave at home. Here are the additional lenses that they sent to me that I did not take with me:

So let's dig into the details a little bit. My most used lens on the trip was the 24-70mm f/2.8 Carl Zeiss lens. It pretty much sat on one of the A900 bodies for the entire trip. It is built like a tank (a good thing), and performs exceptionally well. I really have nothing but praise to say about the lens, other than some vignetting when approaching 24mm in conjunction with a polarizing filter attached. I tried swapping out my polarizer for another traveler's slim polarizer, and it didn't make much difference, unfortunately.

The second most used lens was the 70-400mm f/4.5-5.6 G. This is a great lens, and is pretty much a blend between the Nikon 80-400mm and the Canon 100-400mm. Let me explain. Canon users pretty much hate the 100-400mm for its push-pull zoom design, as well as its optical quality over about 300mm. However, it does do a good job at autofocusing. The Nikon 80-400mm is optically decent and has a traditional zoom ring for zooming in and out. However, its great downfall is its atrocious autofocusing speed. Well, the Sony 70-400mm takes the good from both of those lenses and combines everything into 1 lens: good autofocusing speed, good optics and a traditional zoom ring. Pretty cool. The one thing that I really love about this lens (and also the 70-200mm f/2.8 G) is its lens shade. The lens shade has a nifty sliding door on the underneath side so the shooter can easily rotate a polarizing filter from underneath. Pretty cool!

 

The Sony 70-200mm f/2.8 with the slot on the bottom of the lens shade

 

The one thing that I don't think is necessary is the 70-400mm lens is painted in silver. Not my favorite color for a lens. I think they should match the same white color as the 70-200mm.

When we were shooting in high wind situations I really wish I had brought the 70-200mm. Why? Because the 70-400mm has a long barrell when zoomed out to 200mm or more. This barrel is slightly wobbly, and I ended up with many unusable images in these situations. I should have brought the 70-200mm in addition to the 70-400mm for this reason, as well as the lens is optically superior at equivalent focal lengths and at similar f/stops. The 70-400mm could have been used for wildlife and the long shots and the 70-200mm strictly for landscapes.

The 16-35mm Carl Zeiss lens was mostly used for people grab shots, and also at Kolmanskop ghost town. I found the lens to be every bit as good as its competitors from Nikon and Canon. The lens is also built in a similar way as the 24-70mm f/2.8 Carl Zeiss, which is a good thing indeed.

And now we get to the Sony A900 camera bodies. I first used the Sony A900 cameras on my polar bear trip this past November. My first impression was that Sony really hit the nail on the head with the product, as it had great specifications at a very competitive price. The A900 reminds me of how I felt about my old Nikon F100 in that it just feels good in my hands. After shooting with the A900 for 3 weeks in the desert, I am very glad that I wasn't carrying around the extra weight of a professional camera from Nikon or Canon. For landscapes the A900 is really about as ideal as a camera can get. The file size and quality is excellent, the ergonomics works well and the lenses cover everything I will ever need. There are some glitches, however, in that some of the buttons are difficult to reach without lifting an entire hand off of the camera. A good example is the ISO selection button is tough to reach with either my thumb or my forefinger. This is a small nit, for sure. One thing I love about the Sony system is the approach to handle image stabilization / vibration reduction in-camera. This means that *all* lenses are image stabilized. Very nice.

Looking forward into a crystal ball I can see reports that Sony is working on a super telephoto lens. This has me very intrigued as to the future of Sony and how it will play a part in wildlife photography, as well as sports photography. I am going to seek out other Sony cameras other than the A900 to see if there are other camera bodies that have better low noise characteristics, as this is something I rely on quite often. ISO 400 is now my starting point, ISO 800 is my late afternoon setting and ISO 1600 is a requirement at the end of the day. Heck, ISO 3200 and 6400 is a joy on my Nikon D3, but I recognize that no other cameras will be able to match this. I also don't shoot that many images at those higher sensitivities, so this isn't really a big deal to me.

I want to again thank Sony for loaning me some great equipment. It is a shame that I didn't take the time to use the 50mm and 135mm lenses, as they seem to be excellent performers as well. The 135mm is the one lens that I would like to try, as the build quality is top notch.

Sunday
Aug092009

Eizo ColorEdge CG301W Review at Luminous Landscape

 

Mark Dubovoy has written up a nice article on the Eizo ColorEdge CG301W display versus the Apple 30" Cinema Display. Sobering, to say the least. The price of the Eizo is roughly $4,400 at B&H, which is steep, but if you want the best it is the display to own.

Click here to read the full entry on the Eizo display.

Click here for the item on B&H's web site.

Tuesday
Aug042009

What I like: Belkin Mini Surge Protector with USB charger

 

Ok, so I am a sucker for electrical travel devices which are multifunctional. Here we have a Belkin Mini Surge Protector which has 3 plugs, as well as 2 USB ports for charging such items as mobile phones, iPhones, iPods and anything else that can be charged via USB. I bought one of these items before a safari earlier this year, and I love that I can leave my dedicated USB chargers back at home and just use this single device. Highly recommended. B&H has a good deal on them here.

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