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About Andy

 

I am an avid adventurer, conservationist, teacher, and outdoor photographer whose photography celebrates the African landscape and its rich wildlife, people, and culture. My photographic safaris allow my travelers to not only enhance their understanding of photography, lighting, and wildlife, but to develop a life-long admiration for Africa ‘s beauty and culture.

Banana Republic recently used my photographs as the cornerstone of their Urban Safari campaign, and my images were seen in all 750 stores around the globe, as well as in their billboards, catalogs and annual report. I was also the winner of the BBC Wildlife Photographer of the Year in the ‘Wild Places’ category in 2008 and a highly commended in the ‘Creative Visions of Nature’ category in 2007.

I launched Gura Gear in 2008, in an attempt to deliver lightweight camera bags to the market. I was looking for a lightweight camera bag to hold all of my photographic gear, and there was nothing desirable on the market that suited my needs. After spending 2 years with many prototypes, the Gura Gear Kiboko bag was born. More products are now available on the Gura Gear web site.

 

 

 

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Entries by Andy Biggs (718)

Tuesday
Mar052013

New Nikon 80-400mm! f/4.5 - 5.6 G ED VR

 

 

It’s about time we had a replacement for the Nikon 80-400mm, and this looks like a worthy upgrade. I bought the original one when it came out back in 2001, and I never liked the lens. I sold it due to the atrociously slow autofocus. It is great to see that Nikon is updating this lens, which is a fantastic focal range for those wildlife photographers who don’t want to commit to larger and heavier (and more expensive) lenses. 

 

Press Release

MELVILLE, N.Y. (March 4, 2013) – Today, Nikon Inc. introduced the AF-S NIKKOR 80-400mm f/4.5-5.6G ED VR, a versatile FX-format telephoto zoom lens designed to provide top-class performance and a long reach for a variety of shooting scenarios. Sporting a long 5x zoom range, the 80-400mm f/4.5-5.6G is capable of capturing vivid colors with exquisite sharpness, whether shooting stills or HD video. Ideal for sports and nature photography, the addition of the AF-S NIKKOR 80-400mm f/4.5-5.6G ED VR reaffirms Nikon’s commitment to providing a stable of lensing options for all types of photographers.

“Nikon’s next generation of the 80-400mm lens gives advanced photographers yet another top-quality NIKKOR lens to help capture every precise moment with intense detail and exceptional clarity,” said Bo Kajiwara, Vice President of Marketing, Planning and Customer Experience, Nikon Inc. “It’s a one lens solution that combines a versatile 5x zoom range, long focal length and core Nikon technologies to help create beautiful stills and HD video.”

High-Performance, High-Power Zoom Nikon’s newest telephoto zoom lens features a versatile 80-400mm focal length (5x zoom equivalent) that offers photographers a high-power FX-format lensing option to help capture stunning stills and HD video. Whether birding or shooting from the stands, the lens is also compatible with DX-format bodies to extend the maximum reach to 120-600mm (35mm equivalent). Additionally, alongside a 1.4x teleconverter, the lens can be expanded to an f/8 aperture to retain compatibility with the AF system on the most recent Nikon D-SLR cameras.

The AF-S NIKKOR 80-400mm f/4.5-5.6G ED VR is loaded with essential NIKKOR technologies to help ensure top performance for the advanced photographer, including Vibration Reduction (VR) allowing for up to four stops of image stabilization while Auto tripod detection VR allows for effortless stabilization when mounted on a tripod. The lens sports Nikon’s exclusive Nano Crystal Coat to prevent ghost and flare, a Silent Wave Motor (SWM) to ensure fast and quiet AF operation, and two focusing modes including M/A (AF with manual override) and M (manual). A new optical formula features 20 elements in 12 groups and includes one Super ED Glass Element and four ED glass elements for maximum clarity in a wide variety of shooting environments.

You can pre-order the lens over at B&H.

Saturday
Mar022013

Resource Magazine Winter 2013

 

Resource Magazine has some imagery and text from me in their Winter 2013 issue. It’s a photographers’ travel guide to Botswana, and if you have the time check it out.

Resource Magazine Winter 2013

 

Friday
Mar012013

Photo of the Day - Kolmanskop, Namibia

 

Sand, Doorways and Golden Light

Kolmanskop, Namibia. September 2012

Phase One DF, IQ160 digital back, 28mm lens, 1.6sec @ f/11, ISO 50

 

I am only days away from having all of the details planned out for a 2014 trip to Namibia. This trip will be done ‘overland’ style, which means we will take the opportunity to drive the vast country in private Land Cruisers. We will have more flexibility to stop to take photos along the way, as well as an ability to stop at locations that don’t have airstrips nearby. I am very excited to return to Namibia, a country that I have photographed many times since 2006, and my co-leader will be my good friend and talented photographer Joshua Holko. We will limit this trip to only 10 participants, so be thinking if this is something you might be interested in prior to the announcement. We will be in Namibia during the best time of the year for good clouds; late March and early April, and will have the details posted online soon.

Wednesday
Feb272013

Photo of the Day - Skyline Arch and Snow

 

Skyline Arch and Snow, Arches National Park, Utah

Phase One IQ160 digital back, 75-150mm lens, 1.6sec @ f/16, ISO 50

Wednesday
Feb272013

Canon lens caps [new models] are now shipping

 

 

Canon has followed the lead of other lens manufacturers by offering lens caps, in different sizes, that are much easier to use when a lens hood is in place. These ‘center pinch’ style lens caps are much easier to use because the catch mechanism is in the center of the cap, making it easier to reach into the lens hood when the lens hood is in place and on the lens. This is awesome. Here are some links below if you are interested in picking some up.

Canon lens caps at B&H:

Monday
Feb112013

November 2012 Botswana Safari Report

 

Leopard on a Branch

Canon 1Dx, 300mm f/4 L IS, 1/500 sec @ f/6.3, ISO 1600

 

A few months ago I led a pair of safaris into Botswana’s Okavango Delta, and here is my write-up from my experiences. My goal is to not bore everybody with a day-by-day account of all of our game drives and activities, but rather what made these two safaris unique and exciting. Read on…..

I left home the day after our USA Thanksgiving, and when I arrived in Botswana I spent 16 straight nights between two camps in the Okavango Delta: Nxabega Tented Camp and Sandibe Okavango Safari Lodge, both operated by &Beyond. These two camps are quite different in both lodging style as well as the ecosystems where they are located. Nxabega is considered more of a ‘wet’ camp, with both boating activities as well as game drives. Sandibe is a dry camp, especially later on in the season in the months of October, November and December.

Equipment Used

Even though I use a Phase One medium format system, I did choose to only bring along a small Canon kit that I rented from my friends over at Borrowlenses.com. Why did I not bring my Phase One gear? At the end of 2012 I can safely say that I was pretty darned tired from all of my travels with big and heavy gear. I also realized that I needed to return to my Canon roots and know what my Canon-shooting customers are using these days. Here is what I brought:

  • Canon 1Dx
  • Canon 70-200mm f/2.8 L IS II
  • Canon 300mm f/4 L IS
  • Canon 1.4x teleconverter
  • Sony RX-100 point and shoot

That’s it. Seriously. I took a Gura Gear Bataflae 26L camera bag, and had tons of room leftover for clothing items. I didn’t bring a second 35mm camera because I just wanted to be simple about the trip, and if I had an equipment malfunction at least I knew that I am not directly earning my living from my photographs. My living is made by running the best photo safaris that I know how to run, and the happiness of my travelers is much more important than any images I bring home. My Sony RX-100 was used for people shots, behind the scenes types of shots and any other quick grab shots. It was very liberating to take such a small amount of camera gear, which reminded me of what my camera bag looked like back in 2002 and 2003 when I had a Canon 300mm f/4 as my longest lens. The only difference was that this time I was shooting with a full-frame 1Dx camera body and back in 2002/2003 I had the Canon D30 or 10D. Talk about a long time ago in technology terms. 

The 300mm f/4 worked perfectly for the way I like to shoot, which means I like having plenty of space for my subjects to ‘breathe’ in the frame. Call them animal-scapes or whatever you wish, but I just photograph in a way that tells a story about a place as well as a subject. After looking at my favorite images from the trip, I used the 70-200mm more often than the 300mm. And I rarely used the 1.4x teleconverter at all. I am glad that I don’t need a longer lens in Botswana, because my Phase One equipment has a maximum focal length of 300mm, which is actually closer to 190mm in 35mm terms. On a side note, longer lenses are needed on the open savannah grasslands of the Masai Mara and Serengeti, so please regard the above comments as being specific to Botswana or South Africa.

 

My Vehicle Mates

Canon 1Dx, 70-200mm f/2.8 L IS II, 1/3200 @ f/3.2, ISO 320

 

Elephant

Canon 1Dx, 70-200mm f/2.8 L IS II, 1/200 @ f/2.8, ISO 1600

 

Helicopter Flights

While at Nxabega, we spent some time flying around in our privately chartered helicopter. Nxabega is a fantastic location for aerial photography, because the flood plains to the east and north of camp are some of the most beautiful in all of the Okavango Delta. We had flights over papyrus forests, open flood plains and dry savannah. We had superb cloud reflections, elephant herds, giraffes, cape buffalo and the super special sitatunga. I am a big supporter of not interfering with wildlife on these aerial flights, and this means keeping a respectful distance from my subjects. I am NOT a fan of aerial photos with wildlife subjects who are running away with scared and fearful nonverbal communication. Not a fan. It’s also reckless.

 

Elephants From The Air

Canon 1Dx, 70-200mm f/2.8, 1/8000 @ f/4.5, ISO 2500

 

Take-off

Canon 1Dx, 70-200mm f/2.8 L IS II, 1/800 @ f/8, ISO 800

 

Peek-a-Boo

Canon 1Dx, 70-200mm f/2.8 L IS II, 1/1000 @ f/4, ISO 800

 

Big Cats

We had more success at Sandibe with the big cats, and I likely had more leopard sightings per day than on any other safari in the Okavango in the past. On my first safari we logged 7 leopard sightings in only 4 days. We even had some great cheetah sightings, including a lone male cheetah on his recent kill. And lions were plentiful as well. We observed leopards stalking and hunting on a few occasions, as well as mating lions. Oh, and lions hunting wild dogs. More on that below under Unique Sightings.

 

Lion

Canon 1Dx, 300mm f/4 L IS, 1/80 @ f/4, ISO 1600

 

Leopard

Canon 1Dx, 300mm f/4 L IS, 1/400 @ f/7.1, ISO 1600

 

Leopard

Canon 1Dx, 300mm f/4 L IS, 1/1000 @ f/4, ISO 800

 

Wild Dogs, Wild Dogs and More Wild Dogs

On my second stint at Sandibe we had African wild dogs near camp for 2.5 days straight. We followed them on a hunt, which wasn’t the easiest of game drives. Wild dogs can run straight through the bush, which can make for a very rough experience. Of course some times they can run out in open areas as well, but I haven’t seen that very often when they are on a hunt. We spent enough time with the pack on 5 straight game drives where we all came away with wonderful experiences. And we had the wild dog pack being stalked by 2 adult lionesses. UGH. That really tore me apart, so read on in the next section.

 

African Wild Dogs

Canon 1Dx, 300mm f/4 L IS, 1/1600 @ f/6.3, ISO 800

 

Unique Sightings

We had great sightings on these two safaris, however a couple of them really stood out. Let’s dive into the first one, which involves leopards and dogs. At the same time. On one afternoon we located the dog pack, sat with them until they woke up from their afternoon naps and then watched them get excited about going on a hunt. This was our first sighting of the pack on the safari, and so we had tons of desire to spend as much time as possible with them. When they began to hunt we worked very hard to keep up with them as they ran through the thick bush. After 45 minutes of bushwhacking our way to keep up with the pack, we lost sight of them but still knew their general direction. The light was fading quickly, and then we realized we had found the pack on a kill. Not just a kill, but a kill from a leopard and her two leopard cubs. The dogs had chased the leopards up a dead tree. We positioned our vehicles where we had good lines of sight of both sets of predators: dogs on the left and leopards on the right. The dogs had stolen a kudu from the leopards, and the dogs were all over it. And the leopards were stuck up a tree that they couldn’t come down from, as the dogs would continue to pursue them. Predators are extremely competitive, and a leopard with cubs will not put her cubs into a life or death situation without any benefit. African wild dogs 1, leopards 0. That was a first for me to see interaction between leopards and wild dogs, and this was a humdinger. 

The other unique sighting was both thrilling and sad at the same time. There are two dominant lionesses in the northern NG31 concession, and we had spent some time watching them on earlier game drives. On this particular drive we were out searching for the wild dog tracks in an attempt to locate the pack. We found the pack sleeping under some shaded trees and sat and waited for them to get ready for their late afternoon hunt. After some minutes went by we noticed 1 lioness stalking into the area. The dogs did not see them and by the time the 2nd lioness had appeared there was 1 male adult dog fighting for his life. The lionesses had ambushed the pack from two different sides, and nothing makes me sadder than to see a wild dog meet its end. African wild dogs, often referred to as painted dogs or cape hunting dogs, are the most endangered predator in Africa with roughly 4,000 individuals left in the wild. The primary challenge for them is loss of habitat, as well as human / wild dog conflicts.

As the two lionesses stood over the wounded dog, those in my vehicle had nothing but sad thoughts. I don’t often get emotionally charged with wildlife interaction, but this one just didn’t sit with me. We left the scene as soon as a few shots were taken. Even our guide and tracker were shook up by the event.

 

Lionesses Killing a Wild Dog

Canon 5DMk3, 70-200mm f/2.8, 1/1600 @ f/5.6, ISO 1000

 

Weather and Scenery

Northern Botswana can be a difficult place to learn, especially for somebody like me who has to build a business around leading the best wildlife photographic opportunities possible. The challenge is that each concession, park and camp has their own unique ‘best’ times of the years, and I have to always be on the ball to know when and where to go to serve the needs of my travelers. November and early December are a fantastic time to be in bush in the Okavango Delta, as it is when babies are born (zebras, impalas, etc), the colorful migrant birds are present and most importantly the skies are very very dramatic. Think huge clouds, reaching high in the sky, that are filled with moisture and color. The grasses are starting to green up a little bit, however it isn’t later in the season when the grasses can get tall.

 

Giraffe and Oxpecker

Canon 1Dx, 70-200mm f/2.8, 1/1250 @ f/6.3, ISO 1000

 

Early Morning Game Drive

Canon 1Dx, 70-200mm f/2.8 L IS II, 1/640 @ f/5.6, ISO 800

 

Closing Thoughts and Looking Forward

In all of the times I have been in the Okavango Delta and Linyanti ecosystems this was likely the happiest set of travelers I have ever had on any safaris. I cannot wait to return again in November 2013. I have already announced the details on my dedicated safari page:

Botswana: The Premier Okavango Delta Photo Safari, November 8-17, 2013

The schedule is nearly identical, and the costs are exactly the same as last year. Come join me and Grant Atkinson in Botswana this November! It will be a safari experience you will not forget.

 

Saturday
Feb092013

PHOTOGRAPH Issue 2

 

I am featured in Issue 2 of PHOTOGRAPH magazine, one of my favorite photography publications. Also featured in this issue: Martin Bailey and Chris Orwig, two photographers whom I admire. You can see a quick PDF of the Table of Contents here. Here are some sample spreads from this issue below. And please support the magazine by purchasing this issue or perhaps a year’s subscription, because it’s such a great magazine. I bought a subscription before my friend David DuChemin asked me to be interviewed.

 

 

 

Saturday
Feb092013

Google+ Hangout with Nik Software

A few days ago I was in the San Francisco bay area for some business, and I found myself down at Google headquarters with the Nik Software team. We had an hour-long Google Hangout (we called it a Fireside Chat) and spoke openly about trends in the photo industry. We spoke about HDR, film, mirrorless cameras, how portrait and wedding photographers set trends that we see in wildlife photography and also covered wet plates. It was great to see my friends Laurie Rubin, Dan Hughes and Scott Sheppard in person. Thanks for the great chat!