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About Andy

 

I am an avid adventurer, conservationist, teacher, and outdoor photographer whose photography celebrates the African landscape and its rich wildlife, people, and culture. My photographic safaris allow my travelers to not only enhance their understanding of photography, lighting, and wildlife, but to develop a life-long admiration for Africa ‘s beauty and culture.

Banana Republic recently used my photographs as the cornerstone of their Urban Safari campaign, and my images were seen in all 750 stores around the globe, as well as in their billboards, catalogs and annual report. I was also the winner of the BBC Wildlife Photographer of the Year in the ‘Wild Places’ category in 2008 and a highly commended in the ‘Creative Visions of Nature’ category in 2007.

I launched Gura Gear in 2008, in an attempt to deliver lightweight camera bags to the market. I was looking for a lightweight camera bag to hold all of my photographic gear, and there was nothing desirable on the market that suited my needs. After spending 2 years with many prototypes, the Gura Gear Kiboko bag was born. More products are now available on the Gura Gear web site.

 

 

 

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A few months ago I wrote an article about depth of field and how I approach what f/stop to use for a given situation. However, this isn't the end of the story. Sometimes I have ISO limitations, shutter speed limitations or shooting position limitations. Shooting position limitations? You bet. I think of my safari vehicle as a huge tripod with four wheels. I am never perfectly happy with any shooting position, so I find myself needing to move the vehicle forward or backward to tweak my composition. However, sometimes I cannot move backward or forward. I might have trees in the way or other safari vehicles. To improve my shooting position, I also consider the difference between shooting from the window or from the pop-top roof in the Land Rover. I do prefer to be at eye level with my subjects, so I often move to the window position. The difference in 3 feet of height can be quite significant. Here are a few benefits: Background becomes more out of focus, as distance from subject to background is greater. Think about it. If you shoot from a steep angle down at a subject that is lying on the ground, like the image below, you will have the grass on the ground much closer to the lens. If you shoot from a lower position, you are now shooting with the background much farther away. So you end up with a smoother, softer background. The connection between you and your subject is much more intimate. Examples:

andybiggs20080121_083856_ndutu337.jpg

Shot taken from the top of a Land Rover

400mm f/4 @ f/5.6

 

andybiggs20080121_084122_ndutu338.jpg

Shot taken from the window of a Land Rover

400mm f/4 @ f/5.6

Notice the much softer, smoother background.


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