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About Andy

 

I am an avid adventurer, conservationist, teacher, and outdoor photographer whose photography celebrates the African landscape and its rich wildlife, people, and culture. My photographic safaris allow my travelers to not only enhance their understanding of photography, lighting, and wildlife, but to develop a life-long admiration for Africa ‘s beauty and culture.

Banana Republic recently used my photographs as the cornerstone of their Urban Safari campaign, and my images were seen in all 750 stores around the globe, as well as in their billboards, catalogs and annual report. I was also the winner of the BBC Wildlife Photographer of the Year in the ‘Wild Places’ category in 2008 and a highly commended in the ‘Creative Visions of Nature’ category in 2007.

I launched Gura Gear in 2008, in an attempt to deliver lightweight camera bags to the market. I was looking for a lightweight camera bag to hold all of my photographic gear, and there was nothing desirable on the market that suited my needs. After spending 2 years with many prototypes, the Gura Gear Kiboko bag was born. More products are now available on the Gura Gear web site.

 

 

 

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Entries from August 1, 2009 - August 31, 2009

Friday
Aug212009

New Thomson Safaris catalog is out

The new Thomson Safaris catalog will be out soon, and one of my more recent hippo photos has graced the front cover. Check it out:

Hippo, Serengeti National Park, Tanzania, January 2008

Canon 1DsMkIII, 400mm f/4 DO IS, 1/1000 @ f/5.0, ISO 400, handheld

My 2010 and 2011 Tanzania safari schedule is now published for those photographic safaris that I lead in conjunction with Thomson Safaris. Thomson Safaris really is the best safari company to work with in Tanzania, and I am honored to represent the photo-specific trips in our catalogue. We have a few people who run photographic safaris: Christ Gamel, Randy Hanna and yours truly. If one of our safaris doesn't work with your schedule, I can easily setup a safari for you that can take advantage of many of the features of our photographic specific trips: great guides, great vehicles, great accommodations and an itinerary to make sure that you are at the right place at the right time.

Tuesday
Aug182009

Botswana trip report

As promised, I have a short safari trip report from my latest trip to Botswana.

Itinerary

We visited 3 different camps: Kwetsani, Savuti and Chitabe, plus 3 additonal nights at Mombo as an optional extension. These camps were a mixture between a wet camp (Kwetsani), wet/dry camps in the Okavango at Mombo and Chitabe, and also a camp outside of the delta at Savuti.

Camera Gear

There was an even mix of Canon and Nikon equipment. Canon bodies varied from 40D's, 50D's to 1-series bodies, while the Nikons ranged from a D90 to mostly D700's and D3's. The lenses were all over the board. We had a few Canon 500mm lenses, numerous Canon 100-400mm and 70-200mm lenses, and on the Nikon side the most popular lens was the 200-400mm f/4. Here is what I took:

Nikon D3, D3x and D300 camera bodies.

Nikon 24-70mm, 70-200mm f/2.8 VR and 200-400mm f/4 VR lenses. 1.4x II teleconverter.

There were many different approaches for stabilizing one's camera equipment, and I will be writing up a separate post just on this topic. I used many different methods, and I have much to say on the topic. I was able to try out multiple solutions from multiple vendors, and the most interesting product from Novoflex, called their QuadroPod, made quite an impression on me.

 

My D3 + 200-400mm + 1.4x on a 4th Generation Designs Mongoose 3.5a, supported by the new Novoflex QuadroPod kit.


Who Came on the Trip

All photographers who joined the safari were non professionals. For the first time ever, the trip was 100% men. I typically have a few married couples on each of my safaris, the rest are men and women who are traveling without their significant other or spouse. The conversations at time were, well, a bit different than normal. Our head guide was the man himself, Grant Atkinson, who accompanied us throughout the entire safari. He is the most amazing guide, as well as photographer.

  

Grant Atkinson, our head guide


The Safari

Kwetsani was the first camp on the itinerary, and here we met up with our specialist guide, Grant Atkinson. Grant works for Wilderness Safaris, and is one of the best guides and photographers! Kwetsani is primarily a water camp at this time of year, and as such was intended to give us a chance to photograph the Okavango Delta’s more aquatic habitats. We had helicopter flights each day and we also went out in aluminium boats in search of up-close kingfishers and jacanas. We made use of mekoro (dugout canoes) to photograph trees, islands and papyrus, and one group had a great elephant sighting from the canoes. On game drives we photographed a very good looking male lion that was on the floodplains at sunrise. We spent twenty minutes with him, and everyone got great shots. The lion really turned it on for us by crossing water right in front of us. You can see one of my photos of him here.

We also managed to photograph a leopard for a few minutes, and banded mongooses on foot (that is us who was on foot!). The leopard that we saw jumped right across the road in front of us, which would have made for an incredible image. The problem was that all 3 of us in the vehicle were setup for longer lenses and just didn't get our shorter lenses out quickly enough to make the shot. This is a funny story, which I will illustrate in a future blog posting.

 

 Lion walking on the floodplains, Kwetsani Camp, Botswana. July 2009

Nikon D3, 200-400mm f/4 VR, 1/200 @ f/5.6, ISO 3200


At Savuti we had the rare fortune of being able to visit an active wild dog den in the area. These den visits are limited to one vehicle from the camp per activity, which meant that we all got to see the dogs with their 13 pups. Also in the area were the local lion pride, all 9 of them, feeding on a freshly-killed giraffe. Kane, one of our most experienced guides, tracked them to the site of the kill. Another photographic highlight took place when a large herd of elephants took to the water of the Savuti channel right in front of the camp, and we put aside our teatime meal to try capture the action as the elephants swam, drank and played. More information and photos can be found on the Wilderness Safaris web site.

Two male cheetah provided more great photo opportunities as they patrolled their territory with us following.

At Chitabe we had two big male lions alongside each other in perfect afternoon light, then a group of four lions the next morning playing in the grass and another single male on the move who stopped to drink water. On our last afternoon there we had a fantastic sighting of a young male leopard feeding on a baboon in a tree. There were also some excellent sightings of elephants, zebra and wildebeest.

Mombo was our last camp, and there we found some silhouetted giraffe at sunrise, as well as red lechwe antelope splashing through water. We had several sightings of the well-known female leopard Legadema, which included her resting in a tree with an impala kill. We actually saw her on 4 out of our 6 game drives. Amazing! We had fun crossing a deep channel in the Landrovers with Pete (the Mombo guide) driving the other vehicle. Perhaps some of the best photo opportunities came about for us when spending time with one of the local lion prides, which consisted of 4 adult females, and their 8 young cubs. The very cute lion cubs made great subjects. More good reading on the even can be found on the Wilderness Safaris web site.

We also had male lions and several hyena sightings at Mombo.

 

Paul "the strongman" attempts to pull Pete "P.T. Boat Captain" out of a deep water crossing.

Something we all had many giggles about, for sure. Mombo Camp, Okavango Delta.

 

What worked and what didn't work

There were a few equipment failures on this trip, primarily between me and another Canon shooter. There was a malfunctioning shutter on a Canon 1DMkII camera, which resulted in 5% of the final image being overexposed on an edge of the frame. The camera is now in for service as a result.

I had some issues with my 200-400mm lens when being used with my brand new 1.4x II teleconverter. Funny things would happen that I just couldn't figure out any rhyme or reason. Sometimes the lens wouldn't focus, sometimes the lens wouldn't stop down and sometimes the lens would have a wobbly vibration reduction. Frustrating, to say the least. I encountered similar behavior this past January in Tanzania, however I thought I had isolated the problem to a specific teleconverter. If anybody has heard of this behavior, please drop me a line before I blow my brains out.

What I continue to find amazing, and I really do take advantage of this, is that the Nikon D3 has usable and publishable images at ISO 1600, 3200 and 6400. This is something that continues to blow me away, and is the primary reason that I have the D3 on my main lens (instead of the D3x) in marginal light.

In conclusion it was a fantastic trip with high-quality sightings, and a wonderful group of photographers who all had the patience to wait for the good things to happen.

You can see my 2010 African safaris online here. I have spots available on some of my safaris and not on others. If you are interested in one of these safaris, please email me at info@andybiggs.com while there is still space available. My safaris book up early!

Tuesday
Aug182009

Photo of the Day

 

Young Male Leopard in a Tree

Chitabe Camp, Okavango Delta, Botswana. July 2009

Nikon D3, 200-400mm VR, 1/400 @ f/8, ISO 1600

Monday
Aug172009

Photo of the Day

Baboon Mother and her Baby

Chitabe Camp, Okavango Delta, Botswana. July 2009

Nikon D3, 200-400mm f/4 VR, 1/10 @ f/8, ISO 250

Friday
Aug142009

Banana Republic Urban Safari, Summer 2008 video

Here is a video from last year's Banana Republic Summer 2008 Urban Safari campaign. I wasn't able to use the video as it originally came to me from them with audio that I could not use. I decided to just through my own marketing audio jingle over it to get it published here on my blog. The fashion shoot took place in Miami, and the photographer for the shoot was Tom Munro. As you can see in the video, my images were used as backdrops for the shoot, and some of the prints are absolutely humongous. I was not present at the shoot, and it would have been fun to be a fly on the wall, for sure.
Thursday
Aug132009

Photo of the Day

Bull Elephant Crossing the Floodplain

Chitabe Camp, Okavango Delta, Botswana. July 2009

Nikon D3, 70-200mm, 1/640 @ f8, ISO 400

Wednesday
Aug122009

Photo of the Day

 

Male Lion on the Floodplains, Kwetsani Camp, Okavango Delta, Botswana. July 2009

Nikon D3, 200-400mm, 1/800 @ f/5.6, ISO 3200

Tuesday
Aug112009

Sony A900 and lenses - Namibia trip summary

I know it has been a few months since I have returned from my 3-week Namibia trip, and I have even been back on safari in Botswana in the meantime, but I thought I would throw together a quick summar of my feelings of the equipment that I used on the trip. So here goes.

I always travel to Africa with my Gura Gear Kiboko camera bag, as I started Gura Gear precisely because I was tired of all of the same old camera bags on the market. All are too heavy, uncomfortable, overpadded and not well thought out. My Kiboko bag allows me to not only get my gear to my locations in a lighter fashion, but it also allows me to have multiple cameras attached and ready to shoot from. This is accomplished by dividing the center of the camera bag into two separate 'butterfly' sides. In my Gura Gear Kiboko bag I carried the following:

And there was still more room left over. I have to fess up and say that I had an experimental version of the Kiboko bag with me, and it was a different size than the standard Kiboko bag. Was it larger or smaller? Only time will tell!

On this safari I opted for simplicity, and I didn't want to take extra gear with me. In hindsight I think it was a good choice but also a bad choice. Sony graciously loaned me a great set of cameras and lenses, and I had to choose what to take and what to leave at home. Here are the additional lenses that they sent to me that I did not take with me:

So let's dig into the details a little bit. My most used lens on the trip was the 24-70mm f/2.8 Carl Zeiss lens. It pretty much sat on one of the A900 bodies for the entire trip. It is built like a tank (a good thing), and performs exceptionally well. I really have nothing but praise to say about the lens, other than some vignetting when approaching 24mm in conjunction with a polarizing filter attached. I tried swapping out my polarizer for another traveler's slim polarizer, and it didn't make much difference, unfortunately.

The second most used lens was the 70-400mm f/4.5-5.6 G. This is a great lens, and is pretty much a blend between the Nikon 80-400mm and the Canon 100-400mm. Let me explain. Canon users pretty much hate the 100-400mm for its push-pull zoom design, as well as its optical quality over about 300mm. However, it does do a good job at autofocusing. The Nikon 80-400mm is optically decent and has a traditional zoom ring for zooming in and out. However, its great downfall is its atrocious autofocusing speed. Well, the Sony 70-400mm takes the good from both of those lenses and combines everything into 1 lens: good autofocusing speed, good optics and a traditional zoom ring. Pretty cool. The one thing that I really love about this lens (and also the 70-200mm f/2.8 G) is its lens shade. The lens shade has a nifty sliding door on the underneath side so the shooter can easily rotate a polarizing filter from underneath. Pretty cool!

 

The Sony 70-200mm f/2.8 with the slot on the bottom of the lens shade

 

The one thing that I don't think is necessary is the 70-400mm lens is painted in silver. Not my favorite color for a lens. I think they should match the same white color as the 70-200mm.

When we were shooting in high wind situations I really wish I had brought the 70-200mm. Why? Because the 70-400mm has a long barrell when zoomed out to 200mm or more. This barrel is slightly wobbly, and I ended up with many unusable images in these situations. I should have brought the 70-200mm in addition to the 70-400mm for this reason, as well as the lens is optically superior at equivalent focal lengths and at similar f/stops. The 70-400mm could have been used for wildlife and the long shots and the 70-200mm strictly for landscapes.

The 16-35mm Carl Zeiss lens was mostly used for people grab shots, and also at Kolmanskop ghost town. I found the lens to be every bit as good as its competitors from Nikon and Canon. The lens is also built in a similar way as the 24-70mm f/2.8 Carl Zeiss, which is a good thing indeed.

And now we get to the Sony A900 camera bodies. I first used the Sony A900 cameras on my polar bear trip this past November. My first impression was that Sony really hit the nail on the head with the product, as it had great specifications at a very competitive price. The A900 reminds me of how I felt about my old Nikon F100 in that it just feels good in my hands. After shooting with the A900 for 3 weeks in the desert, I am very glad that I wasn't carrying around the extra weight of a professional camera from Nikon or Canon. For landscapes the A900 is really about as ideal as a camera can get. The file size and quality is excellent, the ergonomics works well and the lenses cover everything I will ever need. There are some glitches, however, in that some of the buttons are difficult to reach without lifting an entire hand off of the camera. A good example is the ISO selection button is tough to reach with either my thumb or my forefinger. This is a small nit, for sure. One thing I love about the Sony system is the approach to handle image stabilization / vibration reduction in-camera. This means that *all* lenses are image stabilized. Very nice.

Looking forward into a crystal ball I can see reports that Sony is working on a super telephoto lens. This has me very intrigued as to the future of Sony and how it will play a part in wildlife photography, as well as sports photography. I am going to seek out other Sony cameras other than the A900 to see if there are other camera bodies that have better low noise characteristics, as this is something I rely on quite often. ISO 400 is now my starting point, ISO 800 is my late afternoon setting and ISO 1600 is a requirement at the end of the day. Heck, ISO 3200 and 6400 is a joy on my Nikon D3, but I recognize that no other cameras will be able to match this. I also don't shoot that many images at those higher sensitivities, so this isn't really a big deal to me.

I want to again thank Sony for loaning me some great equipment. It is a shame that I didn't take the time to use the 50mm and 135mm lenses, as they seem to be excellent performers as well. The 135mm is the one lens that I would like to try, as the build quality is top notch.